jz.qq.com,烘焙师资格证怎么考

1、jz.qq.com，烘焙师资格证怎么考？

烘焙师是指西点师、面包师、蛋糕师或者从事烘焙行业的技术人员，需要考取的证书就是厨师资格证下面的西式面点师证，一共有5级：初级（五级）、中级（四级）、高级（三级）、技师（二级）、高级技师（一级）。

考试基本信息

jz.qq.com,烘焙师资格证怎么考

考试介绍

烘焙师是专门从事西点烘焙食品师傅的总称。

烘焙师是指西点师、面包师、蛋糕师或者从事烘焙行业的技术人员，需要考取的证书就是厨师资格证下面的西式面点师证。如果想要考取资格证，可以自己在劳动保障局缴费报名，也可以去专业学校学习，学校会统一组织考证。考试通过后，便能够拿到相应的证书。

并且这些证书是国家认可的，去到国外也是认可的。有了烘焙师资格证以后，在找工作方面会更有优势，就业机会更多，同时有了证书以后也有了升值加薪的依据。

等级划分

烘焙师资格证级别越高，代表你的烘焙能力和技术也越高。烘焙师职业资格证等级不同，代表了一名烘焙师具备不同的技术水平，这是一名烘焙师技术高低较为直接的表现。

烘焙证书主要分五个等级，分别是：初级（国家职业资格五级）、中级（国家职业资格四级）、高级（国家职业资格三级）、技师（国家职业资格二级）、高级技师（国家职业资格一级）。

报考条件

1、初级（国家职业资格五级）：需要1年以上从业年限。

2、中级（国家职业资格四级）：需要2年以上从业年限。

3、高级（国家职业资格三级）：需要4年以上从业年限。

4、技师（国家职业资格二级）：需要8年以上从业年限。

5、高级技师（国家职业资格一级）：需要15年以上从业年限。

考试内容

1、初级（国家职业资格五级）：需要考核公共知识。

2、中级（国家职业资格四级）：需要在规定时间内独立制作3个品种，并且考核公共知识。

3、高级（国家职业资格三级）：需要在规定时间独立制作并完成4个品种，需要考核公共知识以及500字以上的心得体会。

4、技师（国家职业资格二级）：需要在规定时间内独立制作并完成5个品种，需要考核公共知识及3000字以上的论文，并需要答辩。

5、高级技师（国家职业资格一级）：需要在规定时间能独立制作并完成6个品种，需要考核公共知识和2000字的论文，并需要答辩。

另外，不同级别的烘焙师对于考生的工作教程也是有要求的，需要大家有针对地进行复习备考。

考试时间

每年统考一共有五次，时间为4月、6月、8月、10月和12月。具体的考试日期、地点、要求等等，由考生所在地的考试机构或培训机构另行通知。

考试形式介绍

考试由各省市的人力资源和社会保障局统一出题，考点一般设置在指定的正规烘焙培训职业技能学校。理论考试为机考，实操考试为动手操作。

合格标准

【理论考试和实操考试】均为60分及格。

证书领取

经职业技能鉴定、认证考试合格者，颁发加盖职业技能鉴定专用章钢印的《注册职业资格证书》。权威证书，政府认可。一般三个月即可拿到证书。

经国家整顿，目前含金量最高的发证单位如下：

1、由经国家人力资源和社会保障部认定批准的第三方机构颁发，不是所有省市都有这种考试机构。

2、由国家轻工业联合会颁发，考试地点经由中国焙烤食品糖制品工业协会总站批准下的基地进行。

备考方法

备考资料

公共知识

公共知识是每个级别的烘焙师资格证考试都需要涉及的科目，常考的内容并不多，掌握一些必要的理论知识即可，比如：烘培的具体步骤、选择烘焙温度需要考虑的因素、甜味剂在烘培中的作用、鸡蛋的功能、蛋糕油的工艺性能等。

实操考试制作

1、西式饼干与甜点制作：各类曲奇饼干（如黄油曲奇、巧克力曲奇、棋盘曲奇、DIY曲奇）、手指饼干、牛奶小西饼、泡芙、蛋挞等；

2、欧式蛋糕与小西点制作：戚风蛋糕、海绵蛋糕、天使蛋糕、虎皮蛋糕、纸杯蛋糕、瑞士蛋糕卷、大理石蛋糕、蜂巢蛋糕、巧克力蛋糕、蜂蜜千层蛋糕等；

3、流行面包制作：软餐包、早餐包、菠萝面包、毛毛虫面包、火腿玉米面包、水果调理面包、吐司面包、红豆吐司、枣沙吐司、椰蓉吐司、地中海面包、奶酪面包、北海道面包、肉松面包等；

4、裱花装饰与生日蛋糕制作：各种形状的蛋糕胚制作、奶油打发、祝福语装饰、果膏装饰、各种蛋糕裱花、主题生日蛋糕创意制作等。

考前准备工作

公共知识

机考，学校会发题库，考前刷两遍题轻松通过无压力。建议大家仔细阅读题干知识，特别注重题干中的“除了.......”“不属于......”“包含......”等，认真答题。

实操

上课记好笔记，记得穿防滑舒适的鞋子，工具和厨师服每次都带好，想把上课做好的成品带回家给家人品尝的话记得准备保鲜袋或保鲜盒。

考试品种随机抽取5个品种，考试前几天会有考前辅导，这时候把考试抽到的品种全部熟悉一遍。

考前辅导时把正式考试要用到的原料称好，一个品种装好小袋子，贴上便签，备注好放料顺序、重点步骤、烤箱温度、烘烤时间、考试品种操作流程：和面包面团（兼果冻制作）-排、派、塔-饼干-蛋糕（考试时这样的制作顺序最科学省时）

建议大家注意黄油搓发不要太夸张，因为考场里室温会比较高。

在烘烤前要调试好烤箱温度。

要记清楚原料归属，不要在同时操作多种产品的时候将原料弄混。

记住一切为了产品美好的外观服务。

成品一定要烤熟再交给评审老师，监考老师很好，不要紧张。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"烘焙师是指西点师、面包师、蛋糕师或者从事烘焙行业的技术人员，需要考取的证书就是厨师资格证下面的西式面点师证，一共有5级：初级（五级）、中级（四级）、高级（三级）、技师（二级）、高级技师（一级）。","id":""}],"text":"","id":"doxcnQWMKMg4MKS2MSwraBWZ9cb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"考试基本信息","id":""}],"text":"","id":"doxcnuMwkuOguW22KgkC4pc19QP"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"考试介绍","id":""}],"text":"","id":"doxcnLPsNO6sDDoigQ5IsaNncWf"},{"type":"paragraph","children":[{"type":"text","text":"烘焙师是专门从事西点烘焙食品师傅的总称。","id":""}],"text":"","id":"doxcnsoKEEIeo0GaS8f724rY98g"},{"type":"paragraph","children":[{"type":"text","text":"烘焙师是指西点师、面包师、蛋糕师或者从事烘焙行业的技术人员，需要考取的证书就是厨师资格证下面的西式面点师证。如果想要考取资格证，可以自己在劳动保障局缴费报名，也可以去专业学校学习，学校会统一组织考证。考试通过后，便能够拿到相应的证书。","id":""}],"text":"","id":"doxcn6uaWqysYQkqyknyusAHDzh"},{"type":"paragraph","children":[{"type":"text","text":"并且这些证书是国家认可的，去到国外也是认可的。有了烘焙师资格证以后，在找工作方面会更有优势，就业机会更多，同时有了证书以后也有了升值加薪的依据。","id":""}],"text":"","id":"doxcnsWuEEeEycq2CyJ5vQ7OM1x"},{"type":"image","attrs":{"height":480,"note":[{"type":"text","text":"考试介绍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/81d9f7a78411407dac2b064435c39bd7","width":640},"text":"","id":"doxcnGWiUog6mWoeugHVoamyZvh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"等级划分","id":""}],"text":"","id":"doxcn2weNmep19t8OXGwJ5cyZhg"},{"type":"paragraph","children":[{"type":"text","text":"烘焙师资格证级别越高，代表你的烘焙能力和技术也越高。烘焙师职业资格证等级不同，代表了一名烘焙师具备不同的技术水平，这是一名烘焙师技术高低较为直接的表现。","id":""}],"text":"","id":"doxcnmQ4Zat7bqtrj9AnBvauvof"},{"type":"paragraph","children":[{"type":"text","text":"烘焙证书主要分五个等级，分别是：初级（国家职业资格五级）、中级（国家职业资格四级）、高级（国家职业资格三级）、技师（国家职业资格二级）、高级技师（国家职业资格一级）。","id":""}],"text":"","id":"doxcnc0SmaKiOuQggmmRuupmWwf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"报考条件","id":""}],"text":"","id":"doxcnvkwZ9ARRDaVarETXgYFoTd"},{"type":"paragraph","children":[{"type":"text","text":"1、初级（国家职业资格五级）：需要1年以上从业年限。","id":""}],"text":"","id":"doxcn3oEWi1wq6UgJD0BxVX7Z5f"},{"type":"paragraph","children":[{"type":"text","text":"2、中级（国家职业资格四级）：需要2年以上从业年限。","id":""}],"text":"","id":"doxcn39roVcEehfXLycSRlQl9Cg"},{"type":"paragraph","children":[{"type":"text","text":"3、高级（国家职业资格三级）：需要4年以上从业年限。","id":""}],"text":"","id":"doxcngLWXHySJFJ4UCzfpMgYm9g"},{"type":"paragraph","children":[{"type":"text","text":"4、技师（国家职业资格二级）：需要8年以上从业年限。","id":""}],"text":"","id":"doxcnQtR12JHMvzLtNaqdYEpQjg"},{"type":"paragraph","children":[{"type":"text","text":"5、高级技师（国家职业资格一级）：需要15年以上从业年限。","id":""}],"text":"","id":"doxcn2OB7Wc3HD50zblqYuA2rle"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"考试内容","id":""}],"text":"","id":"doxcn4eeyATLoz2YyWL7e8vW3rh"},{"type":"paragraph","children":[{"type":"text","text":"1、初级（国家职业资格五级）：需要考核公共知识。","id":""}],"text":"","id":"doxcnzE5QM0quk9VR9J9gYwc7ab"},{"type":"paragraph","children":[{"type":"text","text":"2、中级（国家职业资格四级）：需要在规定时间内独立制作3个品种，并且考核公共知识。","id":""}],"text":"","id":"doxcneIpTpM20I2vNY5mt7Ghxlj"},{"type":"paragraph","children":[{"type":"text","text":"3、高级（国家职业资格三级）：需要在规定时间独立制作并完成4个品种，需要考核公共知识以及500字以上的心得体会。","id":""}],"text":"","id":"doxcn2irr5ymZ3I9tIu6HUMjPuc"},{"type":"paragraph","children":[{"type":"text","text":"4、技师（国家职业资格二级）：需要在规定时间内独立制作并完成5个品种，需要考核公共知识及3000字以上的论文，并需要答辩。","id":""}],"text":"","id":"doxcnDrbWejrV7voMZu65cu9JNh"},{"type":"paragraph","children":[{"type":"text","text":"5、高级技师（国家职业资格一级）：需要在规定时间能独立制作并完成6个品种，需要考核公共知识和2000字的论文，并需要答辩。","id":""}],"text":"","id":"doxcn0KXVD1AnLSkjrK3C7cnIzh"},{"type":"paragraph","children":[{"type":"text","text":"另外，不同级别的烘焙师对于考生的工作教程也是有要求的，需要大家有针对地进行复习备考。","id":""}],"text":"","id":"doxcn0sQIQFsfmDopj68X8JqEJb"},{"type":"image","attrs":{"height":360,"note":[{"type":"text","text":"考试内容","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cae8e253595048f5aa678ad56be8fa5b","width":640},"text":"","id":"doxcnuGCAEKakkCqiMt6VDGc66f"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"考试时间","id":""}],"text":"","id":"doxcnBkdXtxBtfNPLvPC9c5Esyf"},{"type":"paragraph","children":[{"type":"text","text":"每年统考一共有五次，时间为4月、6月、8月、10月和12月。具体的考试日期、地点、要求等等，由考生所在地的考试机构或培训机构另行通知。","id":""}],"text":"","id":"doxcnsS08dokLQ1TFCRZt7r0qiJ"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"考试形式介绍","id":""}],"text":"","id":"doxcnP9b5wEWa4u6KWe1DYv9kK3"},{"type":"paragraph","children":[{"type":"text","text":"考试由各省市的人力资源和社会保障局统一出题，考点一般设置在指定的正规烘焙培训职业技能学校。理论考试为机考，","id":""},{"type":"text","text":"实操考试为","id":""},{"type":"text","text":"动手操作","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"doxcnT4q5lUnah4BIPC6ZEJZXlg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"合格标准","id":""}],"text":"","id":"doxcnltOxNUFMK3tASn7D040NVf"},{"type":"paragraph","children":[{"type":"text","text":"【理论考试和实操考试】均为60分及格。","id":""}],"text":"","id":"doxcnOqgWKceKSc6w6L3gPMPR8b"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"证书领取","id":""}],"text":"","id":"doxcnKgxGz56WrpM7XMCUC15opb"},{"type":"paragraph","children":[{"type":"text","text":"经职业技能鉴定、认证考试合格者，颁发加盖职业技能鉴定专用章钢印的《注册职业资格证书》。权威证书，政府认可。一般三个月即可拿到证书。","id":""}],"text":"","id":"doxcninNyc2ut8lWh5kWBebtnKe"},{"type":"paragraph","children":[{"type":"text","text":"经国家整顿，目前含金量最高的发证单位如下：","id":""}],"text":"","id":"doxcn0eCgSMwGaGmUAF36d0dvHk"},{"type":"paragraph","children":[{"type":"text","text":"1、由经国家人力资源和社会保障部认定批准的第三方机构颁发，不是所有省市都有这种考试机构。","id":""}],"text":"","id":"doxcn8cEiwUkIyuyqM5HsiZwhve"},{"type":"paragraph","children":[{"type":"text","text":"2、由国家轻工业联合会颁发，考试地点经由中国焙烤食品糖制品工业协会总站批准下的基地进行。","id":""}],"text":"","id":"doxcnuQM0SW4w4O006H44s798Dd"},{"type":"image","attrs":{"height":696,"note":[{"type":"text","text":"证书领取","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2e3c1bd965b04b969e1d15e3df1caf42","width":1280},"text":"","id":"doxcn4s4KCqaAyaYmOaG0InPeLe"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"备考方法","id":""}],"text":"","id":"doxcnUX5a52T1yJ9DB53R728U3d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"备考资料","id":""}],"text":"","id":"doxcnASiWoG0qwgeOMvlPJEqMjh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"公共知识","id":""}],"text":"","id":"doxcnQvNMoHzJZQAMH38cgcYXVb"},{"type":"paragraph","children":[{"type":"text","text":"公共知识是每个级别的烘焙师资格证考试都需要涉及的科目，常考的内容并不多，掌握一些必要的理论知识即可，比如：烘培的具体步骤、选择烘焙温度需要考虑的因素、甜味剂在烘培中的作用、鸡蛋的功能、蛋糕油的工艺性能等。","id":""}],"text":"","id":"doxcnvzUXrlS8yH1bD0b4LhK3Oe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"实操考试制作","id":""}],"text":"","id":"doxcnnIsUBWeFz15FG99kIrjcNb"},{"type":"paragraph","children":[{"type":"text","text":"1、西式饼干与甜点制作：各类曲奇饼干（如黄油曲奇、巧克力曲奇、棋盘曲奇、DIY曲奇）、手指饼干、牛奶小西饼、泡芙、蛋挞等；","id":""}],"text":"","id":"doxcnwqQytrPTQaq7pYP5i4Gmjc"},{"type":"paragraph","children":[{"type":"text","text":"2、欧式蛋糕与小西点制作：戚风蛋糕、海绵蛋糕、天使蛋糕、虎皮蛋糕、纸杯蛋糕、瑞士蛋糕卷、大理石蛋糕、蜂巢蛋糕、巧克力蛋糕、蜂蜜千层蛋糕等；","id":""}],"text":"","id":"doxcnCDFrySQNbdvDhsSy7bh2Tg"},{"type":"paragraph","children":[{"type":"text","text":"3、流行面包制作：软餐包、早餐包、菠萝面包、毛毛虫面包、火腿玉米面包、水果调理面包、吐司面包、红豆吐司、枣沙吐司、椰蓉吐司、地中海面包、奶酪面包、北海道面包、肉松面包等；","id":""}],"text":"","id":"doxcn7RiZCJnhpZnqANWe1uamxg"},{"type":"paragraph","children":[{"type":"text","text":"4、裱花装饰与生日蛋糕制作：各种形状的蛋糕胚制作、奶油打发、祝福语装饰、果膏装饰、各种蛋糕裱花、主题生日蛋糕创意制作等。","id":""}],"text":"","id":"doxcnAE3VwnJTDU6J8tkyseKU0b"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"考前准备工作","id":""}],"text":"","id":"doxcnKXkjxHuXb0B3MEaVvUtfwe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"公共知识","id":""}],"text":"","id":"doxcnkol17sXVtC5brKKlljv6Qe"},{"type":"paragraph","children":[{"type":"text","text":"机考，学校会发题库，考前刷两遍题轻松通过无压力。建议大家仔细阅读题干知识，特别注重题干中的“除了.......”“不属于......”“包含......”等，认真答题。","id":""}],"text":"","id":"doxcn80uMaewOOOimq6PflWwBJb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"实操","id":""}],"text":"","id":"doxcnQiOQkIakq4Ckg3O76dvKFh"},{"type":"paragraph","children":[{"type":"text","text":"上课记好笔记，记得穿防滑舒适的鞋子，工具和厨师服每次都带好，想把上课做好的成品带回家给家人品尝的话记得准备保鲜袋或保鲜盒。","id":""}],"text":"","id":"doxcnwumCAQ28aAqwCCLNhwmv7f"},{"type":"paragraph","children":[{"type":"text","text":"考试品种随机抽取5个品种，考试前几天会有考前辅导，这时候把考试抽到的品种全部熟悉一遍。","id":""}],"text":"","id":"doxcn0EAumCQ2A44GuA2NDK3IZb"},{"type":"paragraph","children":[{"type":"text","text":"考前辅导时把正式考试要用到的原料称好，一个品种装好小袋子，贴上便签，备注好放料顺序、重点步骤、烤箱温度、烘烤时间、考试品种操作流程：和面包面团（兼果冻制作）-排、派、塔-饼干-蛋糕（考试时这样的制作顺序最科学省时）","id":""}],"text":"","id":"doxcnI4oUC4SueaKOERefQcPDTg"},{"type":"paragraph","children":[{"type":"text","text":"建议大家注意黄油搓发不要太夸张，因为考场里室温会比较高。","id":""}],"text":"","id":"doxcnuwIuIYsyuc6go5BFDS7UVf"},{"type":"paragraph","children":[{"type":"text","text":"在烘烤前要调试好烤箱温度。","id":""}],"text":"","id":"doxcngEwYEecGg88OktVS1qlFPf"},{"type":"paragraph","children":[{"type":"text","text":"要记清楚原料归属，不要在同时操作多种产品的时候将原料弄混。","id":""}],"text":"","id":"doxcnSeW0Aoo4gqCOKuVb0VSLPh"},{"type":"paragraph","children":[{"type":"text","text":"记住一切为了产品美好的外观服务。","id":""}],"text":"","id":"doxcnsmSWeQQ8wCg6kldOMZzEMf"},{"type":"paragraph","children":[{"type":"text","text":"成品一定要烤熟再交给评审老师，监考老师很好，不要紧张。","id":""}],"text":"","id":"doxcnMWqCUqCC8kQICgiaoRMD6g"}]%3C%2Fhowto_content%3E

2、有哪些新手程序员不知道的小技巧？

每个程序员从员变猿的过程都足够写一本几十万字的血泪史，小慕这边的一个讲师就曾经说过：每次熬几个通宵敲代码的时候就觉得自己是小仙男，全靠一口仙气吊着。等熬过了这段时间，就觉得自己像吃了十斤猪肝一样心明眼亮，马上就要飞升成为修仙界的大佬……嗯，听起来还是蛮心酸的……所以小慕在这里简单总结两方面的技巧分享一下，希望能够助大家少走弯路，早日渡劫成功。

【专业技巧】

1. 规划

新手程序员往往刚拿到需求就会开始coding，实际上这样并不高效。当拿到需求的时候，一定要以上帝视角考虑程序的整体结构，整个系统要分成哪几个层次，有哪些模块，每个模块的功能的实现，模块之间如何衔接，甚至需要哪些函数的变量，这些都要尽量在coding之前想好。就像上帝为众神分配任务一样，上层分配规划完成后再逐个施工，这样方能事半功倍。

2. 借鉴和修改代码

事必躬亲，用到的东西都自己写，这样真的就是敬业吗？实际上，直接去借鉴相应的代码是一个非常高效的手段。现在网络上可以找到很多经典的代码，只需要稍微修改就可以拿过来用，而且经典的代码由于经过很多人优化，可靠性会比自己写的更高。正所谓：高级程序员＝普通程序员+Google。

3. 认真注释

当你在写某个程序的时候，可能自己记得很清楚，这一段是什么机制如何实现，但是写的程序越来越多，会导致你想不起来当初为什么这样写，改动和交接也十分麻烦。而对代码进行注释就可以有效避免这种情况。注释不仅可以让人读懂代码，甚至能让读代码的人获取更多信息，不信你看：

（这就是公司得罪程序员的下场哼）

4. 形成自己的变量命名规则

定义变量在写程序中非常常见，一个程序可能用到成千上万的变量，这些变量之间又有着错综复杂的联系。很明显狗剩、铁蛋、二妮、i、j这些名字是远远不够的，不论是内部变量还是全局变量，都要形成自己的一种命名规则，能够一眼看明白变量的意思。

另外，还要尽量减少重名变量和容易混淆的变量名，如果变量定义出现问题，会容易让人产生疑惑。所以只有养成良好的变量命名习惯，才能有效避免这类问题。

5. 认真对待编译中的warning

新手程序员往往重视error忽视warning，觉得warning不影响编译执行。当你的程序规模到了一定程度，这些warning可能就会让你的程序出现匪夷所思的问题，到时候哭都找不到地方。所以一定不要忽略warning，对于每个warning一定要思考为什么会出现，如何才能消灭，然后修改程序干掉这个warning。

6. 看文档、博客要多版本对照

看文档和博客要注意多版本对照，很多对你有价值的信息可能就藏在一篇初看觉得很难理解的文档中。

你：这文档并无卵用o(╯□╰)o。

文档：哼活该你学不到o(╯□╰)o

所以你要多看一些文档相互印证，然后去猜作者的用意。

7. Regexper等正则表达式可视化工具

如果数据分析妹纸来找你帮忙写正则表达式，可以用这个把正则表达式的编写可视化……不仅是为了概率极小的“打动芳心”效果，更重要的是降低沟通成本，节约双方时间，这将在时间紧迫的时候为程序员带来极大便利。

8. 写无副作用的函数

把文件读写和业务逻辑分开，保证业务逻辑相关的函数输入什么，就能得到什么。如果得到的东西有错误，那么就可以反求诸己，从输入内容找到问题。

9. 利用代码自动生成工具

比如java有maven插件mybatis-generator-maven-plugin……就可以直接自动生成DAO。

【职业技巧】

1. 入职前了解加不加班

2. deadline是老手的，而不是你的

老板：“你是新来的小王吧，这里有一个重要的任务……时间紧任务重……”这种时候，如果你忙不过来就早请示晚汇报——这个时候还会有人记得你是新手程序猿。毕竟以后就变成这样，老板：“你是刚来的老王吧，这里有一个重要的任务……时间紧任务重……”

3. 教会产品经理使用搜索引擎

产品经理：你是新来的小王吧，老李让我来问问你这个功能能不能做blabla……反正你是新手，也解释不清楚，这个时候最好总结一下他的关键词然后让他百度。如果这是一位勤奋好学的产品经理，以后就会省掉很多麻烦。

4. 当一个企业说自己开源的东西有多好的时候……

要么这个东西所应对的业务对你所在的小公司来说根本遥不可及，要么就是进阶版还要继续花钱。

5. 技不如人Do not panic

技不如人Do not panic，是因为：恐慌不能解决任何问题。在承认自己和大神存在差距的同时，尽力去努力缩短它们就好，不要有太多负担。

以上就是小慕为新手程序员整理的小技巧，当然适用与否还是要看大家自己的决定和判断~虽然程序员在网上一直被调侃，但是其中很多人是怀抱着喜爱的态度在“高级黑”，小慕就已经在以往回答的评论中看到好多妹子喜欢程序员了呢！所以，如果你已经进入了这个行业，不妨好好利用这些小技巧，提升自己的工作能力，还是那句话，面包和老婆都会有的~

3、硬笔行书练字技巧？

行书，是一种书法统称，分为行楷和行草两种。在楷书的基础上发展，是介于楷书、草书之间的一种字体，是为了弥补楷书的书写速度太慢和草书的难于辨认而产生的。"行"是"行走"的意思，因此它不像草书那样潦草，也不像楷书那样端正。

行书特点

行书作为一种有别于其他字体的独立字体，自然在笔画形态、用笔方法、部首写法以及结构上都有其自身的一些特点。

行笔增速

行书的行笔增速是相对楷书而言的。行书在增速上，不仅表现在笔画与笔画出现牵丝映带、以圆转代替方折，还表现在笔顺的改变和以简代繁甚至借用草书的一些写法上等等。但是在书写时不能为了快而快，造成笔笔相连如蜘蛛网一样。

笔画线条多变

楷如立，行如走，行书的走体现在笔画的流动性而形成的动感上。起笔多以露锋起笔，笔画之间增加呼应等，下面仅从四个方便加以说明：

附笔连接

所谓附笔，就是一个字的原来笔画顺势而出现的附加笔画（比较细、比较虚）。如点、横画与下面的笔画衔接时，出现附钩；与上面的笔画衔接时出现附挑；长撇收笔处往往出现明显的起钩，看上去与“钩”没有什么不同，实际上是撇画的附钩。如图：

这些附钩、附挑与上笔、下笔连接的呼应关系极为明显，使笔画脉络相通，活泼流畅、动感十足。但要注意，这些附钩、附挑的出现，是行笔过程中起笔和收笔留下的自然痕迹，不可有意去描摹追求。否则会失去天然美。

以圆代方

行书的转折笔画，方笔明显减少，而以圆代替方折，这是由于行笔增快的原因。转折处省略了提按的顿笔，圆转而过，使笔画圆润自然。如图：

变直为弧

楷书要求横平竖直，而行书的横竖由于行笔增快，为了增强笔画之间的呼应关系，长横和长竖的写法有的稍带弧形。如图：

但不是所有的横、竖都作弧形，如中竖就要挺直，即便是稍带有弧形的笔画，也要有一定的力度，柔中见刚。

以简代繁

楷书的笔画各自独立，其笔画数目严格遵循汉字规范，一个字由几个笔画就写几个笔画。写行书时，为了书写简便，往往将相邻的笔画连写，合并线条，或对楷书的某些部位做了简化，减少起、收笔的次数。

楷书的钩画，在书写行书时，多省略了起钩。如图：

行书的基本笔画点画，可以代替横、竖、撇、捺笔画。如图：

行书的部首在楷书的基础上出现连笔，减少了笔画数，使书写更加方便。如图：

笔顺变化

行书的笔顺大部分遵循楷书笔顺规则，但为了连写便捷，一篇字中有时会出现一些人们习惯使用的行草书字形，有些字就改变了常规的笔画顺序。如图（楷书6笔，行书3笔）：

体势变化

由于行书的笔画较之楷书发生了一些变化，其结果也随着带来了变化。大体有以下几种情况：

1、一个字有多种写法

如“是”字下半部分，“花”字的字头，写得有放有缩，同中有异，多样而统一，颇有趣味。如图：

2.打破楷书端庄方正的束缚，略带攲斜，自成新的体势

如横画可以较大幅度上斜，笔画的走向也可以略偏离原来楷书的轨道。这就在不同程度上改变了楷书的体势，使整篇字中的个体和群体都变得自由活泼了，避免了楷书的呆板。如图：

行书运笔技巧

笔画运行

硬笔行书的基本笔画，在书写时都有起笔、行笔、收笔三个过程。

所谓起笔，就是开始书写笔画笔尖触纸时的下笔；行笔，就是书写笔画的中间运笔；收笔，就是笔画书写结束时的用笔。如写横画，左为起笔，中为行笔，右为收笔，等等。起笔有轻有重，行笔有快有慢，收笔有回有露。例如：

提笔、按笔

硬笔行书的用笔也讲究提按，以增强笔画的粗细变化和轻重的节奏。所谓提笔，就是笔从纸面提起，笔尖触纸力度小，笔画要细；所谓按笔，就是笔尖在纸上往下按，笔尖触纸力度大，笔画要粗一些。如图：

翻笔、折笔

翻笔，一般是向上取逆势，上一笔接下一笔出现的钩挑。如“古”字的横，“人”、“有”的撇都是用翻笔写成的。折笔，一般是向下、向右取顺势，如“口”字的横折、“山”字的竖折，都是用这笔写成的。不论翻笔、折笔，都要求用笔慢而有力。如图：

侧笔

侧笔主要取字的姿态，笔画的下笔处比较方折，显得刚劲有力。如“五、方”等字的长横，“永、广”等字的侧点，“志”字的中竖，“个”字的斜撇等，都是侧笔写成的。如图：

涩笔

涩笔，书写时故意放慢行笔速度，认为制造行笔阻力。目的在于强调线条的质感，多用于竖钩、竖弯钩等笔画。如图：

游笔

游笔似行云流水，用笔流畅、便捷，多用于钩画字的轮廓，以增加线条的流动。如图：

掠笔

掠笔也叫牵丝，书写时将笔轻提，一带而过。掠笔的作用是牵引笔画，加强上一笔画与下一笔画之间的联系。但要注意，掠笔使用要自然，不能笔笔都用牵丝或人为地去描摹。如图：

叠笔

叠笔，就是在原来的行笔路线上重返进行。这种方法，可以使局部笔画变得丰润。需要注意的是重叠的距离不能过长。如图：

行书笔画

基本笔画

笔画是构成字的基本要素，练习基本笔画是书写汉字的基本功训练。行书笔画是在楷书笔画的基础上增加速度和流动感，有时可直接使用楷法，有时增加牵丝，钩挑或弧形笔画。

点

1、带勾点是由点带出勾挑，如“不”字，目的是牵引下一字。写法是先顺势写长点，用笔要由轻而重、由左而右，勾时再用力顿一下，然后迅速向左下勾出。带勾点要有一定的弯势，不能生硬僵直；线条要遭劲流利，不能软弱迟疑。

2、带下点是指上下两点一笔带下，如“淤”（于）字。写法是落笔写上点，用力顿一下，再提笔写下点，最后再用力顿一下，迅速勾出。上点略侧，下点稍平，上下点之间，用一细细的牵丝相连。使上下连贯、粗细分明，有形态、有动势。

3、带右点是由左点带出右点，如“以”字。写法是用笔轻落重按先写左点，然后提笔写右点，略顿一下用力向右上趯出，趯勾要短小。写带右点时左点要大右点要小，如两点差不多大，就缺少变化。

4、合二点是指左右两点相呼相应，如“六”字。写法是轻落重按写左点，然后用力向右上勾出，再顺着勾势写右点，最后用力向左下撇出。合二点虽然中间没有牵丝相连，但要一气呵成，左点与右点之间应左高右低，遥相呼应。

横

1、下勾横是指横画下面带勾，如“然”字。“然”字下面本来是四点，现改写为一横画，是采用了草书写法。写法是落笔略顿，再向右写横，至末端用力折笔向左下勾出。

2、上挑横是指横画上面带挑，如“古”字。写法是在写好一横后，再用力一顿翻笔上挑而出．上挑横与下勾横不同处是末端收笔的方向不一样，前者上挑，后者下勾；上挑是为了顺势写上画，下勾是为了开启下笔。

竖

1、悬针竖是指竖画下面尖尖的如针倒悬，如“半”字。写法是落笔略顿，接着由上而下、由重而轻写竖画。悬针竖要如针垂直端悬，不能东斜西倒。

2、垂露竖是指竖画下面不失如露水倒垂，如“申”字。写法是落笔略顿，接着由上而下写竖画，至末端再略顿一下，回锋收笔。垂露竖的两端用笔重而中间用笔轻，两端书写速度慢而中间书写速度快，竖中带挺呈曲势，如人挺立，显得精神饱满。

3、曲勾竖是指竖画下端带曲勾，如“抑”字。写法是写好一竖后，末端收笔时顺势向左下迅速勾出。曲勾竖的竖中略带曲势，并非一味地端直。

4、仰勾竖是指竖画下端带仰勾，如“隆”字。写法是落笔写竖画，至末端再用力向右上勾出。。仰勾竖与曲勾竖的差别是前者仰勾向上、由左而右，后者曲勾向下、由右而左；前者是承上笔，后者是启下画。

撇

1、回锋撇是指撇画下端回锋向上，如“化”字。写法是落笔稍重，随着向左下写撇，至撇尾再回锋向上收笔。因为撇尾回锋收笔，并非出锋收笔。所以撇尾不失而圆。

2、挑脚撇是指撇画下端挑脚向上，如“今”字。写法与回锋撇同，只是收笔时挑脚而出呈勾状。一般说，回锋撇往往是撇后写竖，笔势角度小，挑脚撇往往是撇后写捺，笔势角度大。

3、斜撇斜撇是楷书写法，撇端尖尖的，如“余”字。写法是落笔稍重，然后逐渐提笔向左下撇出，撇时要轻灵不要迟疑，而且力要送到撇尖。

4、平撇平撇在字头，短小而平，如“重”字。写法是落笔重，略顿，随后提笔迅速撇出。平撇的形态有点象鸟啄，短小尖锐。

捺

1、斜捺是指捺画斜而长，如“秦”字。斜捺在汉字中往往与斜撇相配，如同人的左右手。写法是顺着撇势轻落笔，略横行，接着转笔向右下方写。捺时要稍用力，随即向右平捺出。斜捺的形态是一波三折，故又称“波画”。

2、回锋捺是指斜捺的捺脚收笔处不是出锋而是回锋，如“天”字。写法与斜捺同，只是最后回锋收笔，露出下尖勾，目的是为了书写下一字。

3、反捺是从斜捺、回锋捺变化而来，如“木”字。写法是轻落笔，触纸后徐徐用力向右下行笔，然后用力向左下勾出。

4、圆曲捺是指游水捺的三弯处圆曲如环。写法是先落笔写一点，接着顺势写一竖，再提笔向右拐弯，然后回锋或藏锋收笔。写回曲捺要注意两点，一是拐弯要圆曲不能生硬，二是捺尾要圆浑不能尖利。

5、平捺在字的下面起托的作用，因比字头或字中的斜捺角度较小波画较平而名之，如“之”字。写法是回锋落笔，略横，随着向右下用笔，然后用力平平捺出。平捺与斜捺一样，形态是一波三折，有一种流动的势态。

6、挑勾捺是指平捺的捺脚上挑，如“超”字。写法是写好平捺后，捺脚不平出，而是顺势上挑成勾状，目的是为了便于写“走”字里面的部分。挑勾捺其实是在平捺快写后顺着笔势自然形成的一种写法，不可勉强为之。

挑

1、短挑是挑画的一种，线条短小，如“地”字。短挑在行书中是承着其他点画书写而出，短小精锐，恰似一把短剑。写法是落笔后略顿，随即逐渐提笔用力挑出。

2、撇折挑是指撇和挑连写，如“福”字。写法是先写一撇，然后折笔用力向右上迅速挑出，撇折挑要注意折处，书写时点画务必交待清楚，不能含含糊糊，拖泥带水。

勾

1、蟹爪勾是指竖勾屈曲似蟹爪，如“寺”字。写法是先写竖画，然后转笔向左行笔，再翻笔向上勾出。蟹爪勾是竖勾的变化写法，形态优美、线条雄健、气势酣畅。

2、戈勾即戈字勾，如“戊”字。写法是侧锋落笔，然后纵笔而下，勾时用力翻笔向上勾出。戈画平中带弧有韧劲，刚中含柔见纵势。

3、背抛勾是指从背面反抛勾出，如“夙”字。写法是顺势写上横画，拐弯时折笔而下，然后宛转提笔写下弯画，再翻笔向左上勾出。背抛勾转弯抹角处不能生硬有棱角，勾尖要向内，对着字心首画。

4、浮鹅勾因形同白鹅浮绿水而名，如“毛”字。写法是落笔稍重，接着用笔向下写直画，随即提笔拐弯写横，最后翻笔向上勾出。浮鹅勾要鹅头高昂，鹅身平正，方正中呈圆势，态度雍容大方，气宇轩昂不几。

5、回锋勾如同回锋捺是斜捺的快写形式一样，回锋勾是浮鹅勾的快写形式，如“也”字。写法是顺势写竖横圆曲折，然后翻笔由上绕一小圈向下勾出。回锋勾与浮鹅勾的不同处除了勾的形式和方向不一样外，是回锋勾的竖横向内圆曲而浮鹅勾的竖横向外开拓。向内圆曲的比较宛转流利，向外开拓的比较雄健挺拔。

折

1、横勾折是指横画加折勾，如“罪”字。写法是落笔先写横画，折时稍用力向左下方勾出。横勾折不仅要横与勾的笔画分明，而且转折要自然有力。

2、竖勾折是指竖画加折勾，如“问”字。写法是先写竖画，要心胸挺起，折时不妨笔略提起，再顿下去，然后迅速向左上勾出。

3、曲折在行书中用得很多，凡是撇捺连续快写都成曲折，如“根”字。写法是落笔写撇画，接着向右折笔，再随即向下勾。曲折形似闪电，富于动态。

4、撇捺折是撇捺的连写，但书写较工整，如“衣”字。写法是落笔稍重，再逐渐提笔写撇，然后回锋向右下方写反捺，即成。撇捺折在撇捺的交接处要连写，要有折的风味。

5、三弯折是指三弯折曲折成三弯，如“乃”字。写法是先落笔写横，再折笔写弯，接着顺势向下弯出。三弯折要折而有韧劲，弯曲自然舒展。

6、内勾折是由横撇折的外勾变为内勾，如“序”字。写法是写好横画后，接着翻笔写撇，撇要成内包势，随即趁势向右上勾出。

7、鹅勾折是浮鹅勾的快速简便写法，如“光”字。写法是依势落笔写短斜竖，随即折笔向右上勾出。鹅勾折的折处要圆润遒丽，用笔要流畅明净。

行书偏旁

行书偏旁一定要根据与其所搭配的单体的长短、肥瘦,大小不同而有所变化，不能千篇一律。此外，部首一定要与其所搭配的单体互相呼应。呼应的方法，或者借助于楷书用意连，或者借助于草书用形连。形连时要注意既要靠牵丝，又要靠笔势，过多地使用牵丝，如果形连势不能连，整个字仍是盘散沙。

食字旁

侧锋落笔写撇，随即回锋写横勾折，接着顺势写竖仰勾。整个食字旁线条清楚匀称，是一笔写成。

衣字旁

首点向左下带出一点以呼应下一笔，撇点用撇提代替，改变示字旁的书写顺序。

弓字旁

先落笔写横折，再翻笔写横折勾。弓字旁的弓须一气呵成，不能用两笔或三笔写成。

虫字旁

落笔写短斜竖，再顺势写横竖折，接着回锋写下横，然后翻笔向上写竖折挑，为了便于书写，行书虫字旁的一点往往省掉。

马字旁

落笔写出折勾，再回笔写竖横折勾，最后顺势写下横。下横一般写成挑画，以便书写右面点画。

页字旁

页字旁主要是在右部。其第一横要稍长，抗肩，中间用小撇画，不要太长，撇画的起笔位置稍靠左，第二个撇画的弯度较大一些，但不要写的太长，最后撇画带出小钩，呼应最后一点。

舌字旁

首先平撇要短，角度稍平，竖写短，横可稍长，但口字要写小。所以偏旁整体要小。

田字旁

田字旁也是写小，且整体稍向右上斜。

行书章法

行书是介于楷书和草书之间的书体，是日常生活书写中最常用最流行的书体。尤以钢笔行书为最。行书笔画、结构有一定的伸缩性，形态又多变化，丰富奇彩、意到笔随，可塑性大，利于发挥艺术效果，实用价值更是超过其它书体。一副得意之作，通篇结构，引领管带，首尾呼应，一气呵成，各尽意志，气适流动，起伏随势，巧布虚陈，寄情寓意，无不淋漓尽致，酣畅爽快，令人赏心悦目。这些都说明章法在行书创作中显得尤为重要。

章法特点

行书由于笔画、结构变化较大，形体各异，加之书写风格不同，因而即使同一字也会出现多种形态，有肥瘦、长短、方圆、雄浑、挺拨、俊秀等差别。正是这些差别，使行书作品千姿百态，异彩纷呈，构成了不同的气韵的章法。因此，行书的谋篇布局较楷书要灵活得多，具有如下特点：

笔势多取纵势

由于行书笔画活泼流动，笔画之间有牵纵行带，前字的末笔与后字的首笔连带密切，如取纵势，更显得如行云流水，气韵贯通，给人以一气呵成之势。

疏密变化自如

行书除笔画、结构有疏密变化外，在整体布局中通过改变字形的大小、长短、字态的肥瘦、俯仰，能自由地调整疏密位置与布白，达到疏密得当，布白奇妙的效果。

参差错落有致

行书不仅仅笔画、结体各部分及字与字之间有参差变化外，而且行与行之间及通篇亦有错落变化，这样，整体布局显得活泼灵动，妙趣横生。

行气直抒胸臆

由于行书书写速度较快，行笔之时情法于中、笔情交融，最能直接表达书者的情感，增加作品的感染力。

谋篇技巧

以动为主

楷书的章法以静为主要特征，给人以平和稳定、一丝不苟、不激不厉和端正严肃的感觉；行书章法则以动为主要特征，给人以生动飘逸和富有生命活力的感觉。

前人出书法要“师造化”，凡在现实生活中能见到的动作姿态，都可借鉴到行、草书中去，以增强行书作品的动感，丰富其内涵和底蕴。多欣赏和临写古今行书大家作品，也是培养书写动感的有效途径。我们不能用楷书的结体和章法来写行书，这样会使作品显得沉快无生气。

虽然行书强调动感，但并不是随意为之、不要法度，它仍要遵循一定的规律，以严谨求灵变，避免过于放纵。

以不齐求齐

楷书要求字的上下左右间隔匀称，排列整齐，以工整规范为美。行书则要求字形有大小，间隔有疏密排列，有错落变化，以局部的不整齐求得整体的平衡、稳定和齐整，以变化为美。一幅好的行书作品，初看起来一行一行排列得很整齐，行与行之间的距离也相等，一气呵成，浑然一体，气韵生动，但细看起来，我们不难发现，字与字并不对齐，有的偏左，有的偏右，左右动荡不写，行与行之间的距离也不相等，有的紧，有的松，没有定则，即所谓的“行书无写法”，需要我们多实践、多体会。

具有节奏变化

一幅好的行书作品，就象一首抒情的歌曲，时而婉转平和，时而高亢豪迈，时而如行云流水，时而如电闪雷鸣，几经曲折，波澜起伏。这些都是书者书写时情感的自然渲泄，这种渲泻是有节奏的，体现了行书作品的节奏美。

前后呼应

行书作品最注重首字，应静心写好文稿第一字，以统领全篇。要使行书的章法显得严谨而又富于变化，一定要注意前后呼应关系，要意在笔先，事先考虑好前后字的衔接问题。

书写姿势

坐姿

正确的书写姿势不只是为了好看，还可以使书写技能得到充分、有效地发挥，有助于书写者的身心健康。书写姿势同时也反映出书写者的修养，只有身正才会字正。正确的姿势应是头正、身直、肩平、胸舒、臂开、足安。

1、头部端正：头要居中，稍向前下方俯视，眼睛与纸面一尺距离，不可俯得太低，也不可左偏、右斜。

2、身直肩平：臀部平坐于椅子中间大部，不能扭向一边，两肩平齐，上身不弯曲，使上身重心安稳。

3、臂开胸舒：两臂自然开张，两肘平放桌面，保持一线，腹背挺直，胸口与桌沿保持一拳距离，使呼吸顺畅。

4、腿开足安：两腿分开，与肩同宽，自然下垂，内侧保持平行，两脚平放地上，使全身平衡。正确的书写姿势，才能使字写得端正，重心平衡。同时，正确的姿势也会给人的身体带来益处。

握姿

执笔方法不正确，不但妨碍书写姿势，影响书写质量，还会给书写者身心健康带来危害，不可忽视。根据笔的自身特点，硬笔是三指执笔法，斜拿。

正确的执笔方法：

①用拇指、食指、中指三个指头捏住笔杆（三指处于同一平面）；

②指尖距笔尖约2.5cm~3cm（两指左右）；

③所有指关节都向外弯；

④笔杆位于食指的根部（如下图）。

同时，还要做到：

①指实：拇指、食指、中指来自三方的力量，处在与笔杆垂直的同一圆角上，将笔杆夹牢，松紧适度。

②掌虚：无名指和小指紧随中指下部依次靠拢，并向掌心弯曲、虛握。小指的整个底部形成一个环形底座，虚贴桌面。

③杆斜：笔杆向右后方倾斜，紧靠在食指第三关节与虎口方向，与桌面呈45°角。如果写较大的字，手指向前伸直，笔杆与纸面角度减小；书写较小的字手指向掌心收缩，笔杆与纸面角度大，宜于精離细琢。

工具

选笔

钢笔

钢笔的地位在硬笔练字中处于不可撼动的地位，较强表现力可以反映出毛笔的效果。适合练字的钢笔，日笔应该比欧笔更适合一些。推荐白金3776，百乐78G，写乐21K等。

关于练习钢笔的选择，我们可以遵从以下原则：

（1）不使用美工笔。美工笔不利于稳定练习；

（2）不使用写起来不适的钢笔。比如出现堵笔、洇墨、摩阻过大等问题；

（3）不使用过贵的钢笔。在成本练字的过程相对耗笔，尽量做到成本控制，贵的笔对练字本身没有太实质性的帮助。

中性笔

中性笔有稳定、表现力强、便宜、便捷、书写舒适等优点，是一种相对完美的笔。不止在此次行楷练习试验中，日常生活中，大多数人更愿意使用0.5中性笔。

推荐适合练字的中性笔

1、国产中性笔宝克PC-1168，这款笔无论从握持手感、出水流畅度、品控还是书写感受方面，都属于第一梯队的，一点也不比那些昂贵的进口中性笔差。

2、百乐P700和P500，其实就是0.7和0.5，笔感超级顺滑，而且出水不多不少，非常好写，这么出名是有原因的。可能看不出来，但0.5确实比0.7的更细。练字推荐用0.7，0.5的可以日常用。

中性笔的挑选可以遵从如下原则：

（1）书写流度，笔触顺骨，笔画饱满，墨色均匀；

（2）握笔舒适度，长时间书写不会有过于明显累手、压迫感；

（3）墨干燥速度，书写时不会被谱黑就行。

其他笔

除了钢笔和中性笔，其他笔类都可以进行练字。种类繁多，最为常见的有铅笔，圆珠笔等。不一定局限于某种笔。

纸张

练习纸种类繁多，常见的有回宫格、米字格、田字格、空白格、横线格、竖线格等等，练习纸的选择也需依据自己的基础，初学尽量选择辅助线多的回宫格、米字格等，随着阶段的变化，练习纸也应该有所改变以减少辅助，达到科学练习的目的。按时间顺序，不止使用了米字格纸、田字格纸、空白格纸、横线纸、竖线纸、白纸。

重点：从脱离米字格到白纸，练字整个过程都贯穿着田字格纸的巩固练习，不属于完全转换状态。

另外，有以下几个点可以注意：

（1）当没有问题的笔墨写在纸上产生洇墨、阻力大等类问题，建议换纸。

（2）不要使用线格过小的纸，选择写起来有种自然舒适状态的纸。

（3）不要刻意追求“好”纸，硬笔行书的练习对纸的要求较低。

字帖

如果基础比较差，或者追求没那么高，可以从现代字帖练，比较容易上手。如果想追求书法或者有一定基础，那么就要多临摹古帖了。硬笔临摹古帖，初学以赵孟頫行楷《妙严寺》、《胆巴碑》过度，再以《赤壁赋》、《吴兴赋》入手，然后可以临文征明等二王一路的帖。或者直接以李邕《法华寺》入手。以上字帖，要下大功夫临摹，专注一本，长期熏修，悟到行书精髓，然后可以遍临诸家。

推荐字帖

1、田英章的字帖

田英章的硬笔字，刚中带柔，舒展洒脱。

以下是田英章老师的一些作品：

2、李放鸣字帖

李放鸣字的风格与田英章老师较为相近。其书法字帖因选材独特、版式新颖、印刷精美，被许多学校作为指定书法教材，在全国首届硬笔书法系列评比中获书家组“十佳字帖”奖，

以下是李放鸣老师的一些作品：

3、司马彦行书

司马彦的行书相当棒特别适合初学者临习，临他的字帖其优点是不容易走偏而且有利于将来的发展是国内目前少有的即有名气又有实力的书法家，他的行书字帖是国内许多院校硬笔行书的必修课。

书写注意的问题

钢笔行书的幅式有中堂条幅、条屏、对联、横幅、长卷、扇面等幅式。

钢笔行书函文的书写形式，也有竖写和横写两种方式。常用的排列方式，与楷书大体接近。一般用单线稿纸或无格纸书写较多，方格纸用得较少。

钢笔行书的落款，款文要用本体或行草书写，款文字形要小于正文，钤印的印章宁少勿多，1-2方足矣。印章的大小，应等于或略大于款文，但不得大于正文。钤印位置要与正文相呼应，起到活跃布局、平衡作品的作用。

(一)要以楷书为基础，在结构和用笔两方面练好扎实的基本功。行书的用笔和结构虽然较楷书有所变化，但还没有达到草书“解散楷体”的程度。因此，学习行书必须要具备一定的楷书基础。

(二)要重视临摹。行书虽然承袭楷书，但笔画、部首和结体都发生了一些规律性的变化。这些规律性的变化、写法，就要通过临摹去掌握，而不能随心所欲。

(三)不宜过分强调和滥用行书的用笔特点。前面讲了行书诸多特点，在书写中适当运用能给字增色，但如果过分追求和滥用某一方面的特点，就会走向反面。如，笔笔相连，就会造成圈眼密布而形同蛛网。

(四)学习行书宜从部首开始。行书在长期使用过程中形成了一些约定俗成的写法，熟悉和掌握这些部首的写法，就能了解行书的造形规律，收到举一反三之效。

坚持练字

当我们学习一项新技能，坚持这件事无疑是学习过程中最重要的事，也是最难做到的事，练字也是这样。

想要坚持就得有大的决心，然后培养出习惯，并且能体会到练字给自己带来的乐趣。在坚持的过程中，能够得到来自别人和自己的肯定。

所以，不妨列一个计划，树立一个可以达到的目标。前期的目标不能追求质的改变，需要做量的积累。例如，我要临写琴赋，我每周要认真的练10个字。我第一天可以通临一遍，我第三十天的时候再通临一遍。可以做一次比较。如果认真练，一个月，成果还是能激励到自己的。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"行书，是一种书法统称，分为行楷和行草两种。在楷书的基础上发展，是介于楷书、草书之间的一种字体，是为了弥补楷书的书写速度太慢和草书的难于辨认而产生的。\"行\"是\"行走\"的意思，因此它不像草书那样潦草，也不像楷书那样端正。","id":""}],"text":"","id":"doxcnYooE6s02q6YwaIX4hu9uoh"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行书特点","id":""}],"text":"","id":"doxcnCmOEs00igwWECGZNmciYhd"},{"type":"paragraph","children":[{"type":"text","text":"行书作为一种有别于其他字体的独立字体，自然在笔画形态、用笔方法、部首写法以及结构上都有其自身的一些特点。","id":""}],"text":"","id":"doxcngkAmU6qiK4i8Qv6BxHNrRh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"行笔增速","id":""}],"text":"","id":"doxcnw6GEi4esci8uQI1iR5Lh6N"},{"type":"paragraph","children":[{"type":"text","text":"行书的行笔增速是相对楷书而言的。行书在增速上，不仅表现在笔画与笔画出现牵丝映带、以圆转代替方折，还表现在笔顺的改变和以简代繁甚至借用草书的一些写法上等等。但是在书写时不能为了快而快，造成笔笔相连如蜘蛛网一样。","id":""}],"text":"","id":"doxcn4A2qasEiuWUYkZ1dqB2YKg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"笔画线条多变","id":""}],"text":"","id":"doxcnAC0IEe8smUMWUNkE65pqFe"},{"type":"paragraph","children":[{"type":"text","text":"楷如立，行如走，行书的走体现在笔画的流动性而形成的动感上。起笔多以露锋起笔，笔画之间增加呼应等，下面仅从四个方便加以说明：","id":""}],"text":"","id":"doxcnmo2EUA2QyQYQOpRuAKjWVN"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"附笔连接","id":""}],"text":"","id":"doxcnKO8U08cWWeECqYPIfYOYFe"},{"type":"paragraph","children":[{"type":"text","text":"所谓附笔，就是一个字的原来笔画顺势而出现的附加笔画（比较细、比较虚）。如点、横画与下面的笔画衔接时，出现附钩；与上面的笔画衔接时出现附挑；长撇收笔处往往出现明显的起钩，看上去与“钩”没有什么不同，实际上是撇画的附钩。如图：","id":""}],"text":"","id":"doxcng40Ayk4sOochdaUkUaDoRc"},{"type":"image","attrs":{"height":108,"note":[{"type":"text","text":"附笔连接","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/eca8f277af0b489aac734555f6636835","width":573},"text":"","id":"doxcne4MYO0e0MSEOaqWW5DscEg"},{"type":"paragraph","children":[{"type":"text","text":"这些附钩、附挑与上笔、下笔连接的呼应关系极为明显，使笔画脉络相通，活泼流畅、动感十足。但要注意，这些附钩、附挑的出现，是行笔过程中起笔和收笔留下的自然痕迹，不可有意去描摹追求。否则会失去天然美。","id":""}],"text":"","id":"doxcnQosAsCSGaCgIWgLBtZK6cf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"以圆代方","id":""}],"text":"","id":"doxcnke0eqiaMQIEkckKTrA1cjb"},{"type":"paragraph","children":[{"type":"text","text":"行书的转折笔画，方笔明显减少，而以圆代替方折，这是由于行笔增快的原因。转折处省略了提按的顿笔，圆转而过，使笔画圆润自然。如图：","id":""}],"text":"","id":"doxcnMIigaa6YeQ0cqQPyA7Bwrh"},{"type":"image","attrs":{"height":114,"note":[{"type":"text","text":"以圆代方","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/fa22bfea6aca41b7a9421e6071527ebe","width":595},"text":"","id":"doxcnSw6iMMO06ssymyB1twoYmh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"变直为弧","id":""}],"text":"","id":"doxcn00YcUQm8uSGQuGKq3NljJb"},{"type":"paragraph","children":[{"type":"text","text":"楷书要求横平竖直，而行书的横竖由于行笔增快，为了增强笔画之间的呼应关系，长横和长竖的写法有的稍带弧形。如图：","id":""}],"text":"","id":"doxcnaKskOi0sY4KGakHWIsQk3z"},{"type":"image","attrs":{"height":116,"note":[{"type":"text","text":"变直为弧","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/15c909205ef94238b967205ddc025d52","width":613},"text":"","id":"doxcnGqo4eSEKUUwSwTXTYrUHic"},{"type":"paragraph","children":[{"type":"text","text":"但不是所有的横、竖都作弧形，如中竖就要挺直，即便是稍带有弧形的笔画，也要有一定的力度，柔中见刚。","id":""}],"text":"","id":"doxcnYi0UGKweOYA4KkT58rn5T2"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"以简代繁","id":""}],"text":"","id":"doxcnGiaEmcsGagIm4OSsc9z8bc"},{"type":"paragraph","children":[{"type":"text","text":"楷书的笔画各自独立，其笔画数目严格遵循汉字规范，一个字由几个笔画就写几个笔画。写行书时，为了书写简便，往往将相邻的笔画连写，合并线条，或对楷书的某些部位做了简化，减少起、收笔的次数。","id":""}],"text":"","id":"doxcnsQQsMgoM2A402yVHiHyPUv"},{"type":"paragraph","children":[{"type":"text","text":"楷书的钩画，在书写行书时，多省略了起钩。如图：","id":""}],"text":"","id":"doxcn6eyqgoGoem08SsWngD7f3f"},{"type":"image","attrs":{"height":98,"note":[{"type":"text","text":"以简代繁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b354150271a34825903868d3d515d728","width":628},"text":"","id":"doxcnK6KygmS0QoOUwjHQ8geBXe"},{"type":"paragraph","children":[{"type":"text","text":"行书的基本笔画点画，可以代替横、竖、撇、捺笔画。如图：","id":""}],"text":"","id":"doxcnmYOkwSwUuW4YMRE6knAXNc"},{"type":"image","attrs":{"height":122,"note":[{"type":"text","text":"以简代繁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/d2f6f6b0635a4c848a1d6491f4eeb70a","width":610},"text":"","id":"doxcnaoEGQ0IMI62yuwFnncnP1u"},{"type":"paragraph","children":[{"type":"text","text":"行书的部首在楷书的基础上出现连笔，减少了笔画数，使书写更加方便。如图：","id":""}],"text":"","id":"doxcng8CEO06kGaGiWK2FYjnhIe"},{"type":"image","attrs":{"height":131,"note":[{"type":"text","text":"以简代繁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2aa6fa9722874a839bae5d58753edc10","width":624},"text":"","id":"doxcnsOuGiIi2ySsEamQ4uXeCXe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"笔顺变化","id":""}],"text":"","id":"doxcnOWYccUaQYoYwYVjno6mVFg"},{"type":"paragraph","children":[{"type":"text","text":"行书的笔顺大部分遵循楷书笔顺规则，但为了连写便捷，一篇字中有时会出现一些人们习惯使用的行草书字形，有些字就改变了常规的笔画顺序。","id":""},{"type":"text","text":"如图","id":""},{"type":"text","text":"（楷书6笔，行书3笔）：","id":""}],"text":"","id":"doxcnkYCYuqeCYaI683GEkwio1e"},{"type":"image","attrs":{"height":101,"note":[{"type":"text","text":"笔顺变化","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b163d5ef32144a4388b912e4dcc2c57e","width":578},"text":"","id":"doxcnYQsY0AQiQM60SIwbqdCQZe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"体势变化","id":""}],"text":"","id":"doxcnK8ekquqcSwW6gc1HfDZZy7"},{"type":"paragraph","children":[{"type":"text","text":"由于行书的笔画较之楷书发生了一些变化，其结果也随着带来了变化。大体有以下几种情况：","id":""}],"text":"","id":"doxcnYcayiScyO4ksEpwQUWCpCe"},{"type":"paragraph","children":[{"type":"text","text":"1、一个字有多种写法","id":""}],"text":"","id":"doxcn0SE0GGqO0UeUiIHM8D5oDd"},{"type":"paragraph","children":[{"type":"text","text":"如“是”字下半部分，“花”字的字头，写得有放有缩，同中有异，多样而统一，颇有趣味。如图：","id":""}],"text":"","id":"doxcnEIYGeI42OG8QGOOxMNGnTd"},{"type":"image","attrs":{"height":204,"note":[{"type":"text","text":"体势变化","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/37c1e6c1bcdb490580c87e506e958ee2","width":483},"text":"","id":"doxcnQyEiqUKeqUyo8LDxLzsHJh"},{"type":"paragraph","children":[{"type":"text","text":"2.打破楷书端庄方正的束缚，略带攲斜，自成新的体势","id":""}],"text":"","id":"doxcnekuEeAGmUas0eW6kEGNm5b"},{"type":"paragraph","children":[{"type":"text","text":"如横画可以较大幅度上斜，笔画的走向也可以略偏离原来楷书的轨道。这就在不同程度上改变了楷书的体势，使整篇字中的个体和群体都变得自由活泼了，避免了楷书的呆板。如图：","id":""}],"text":"","id":"doxcnIqUEEeswYSKAARJKgVX2Ff"},{"type":"image","attrs":{"height":118,"note":[{"type":"text","text":"体势变化","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b5d537a662744315aca01acc06fbc9a9","width":589},"text":"","id":"doxcnK6GK8OwqqoCqkpbuAXc8bg"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行书运笔技巧","id":""}],"text":"","id":"doxcn286meS28OAIS2SImTeo2kb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"笔画运行","id":""}],"text":"","id":"doxcn66mcsMAg8ME2uClYQvkzCd"},{"type":"paragraph","children":[{"type":"text","text":"硬笔行书的基本笔画，在书写时都有起笔、行笔、收笔三个过程。","id":""}],"text":"","id":"doxcn8oiwWqqI0W6K0ceOnst56d"},{"type":"paragraph","children":[{"type":"text","text":"所谓起笔，就是开始书写笔画笔尖触纸时的下笔；行笔，就是书写笔画的中间运笔；收笔，就是笔画书写结束时的用笔。如写横画，左为起笔，中为行笔，右为收笔，等等。起笔有轻有重，行笔有快有慢，收笔有回有露。例如：","id":""}],"text":"","id":"doxcngAEsqoQ4iqSyIt9czBdsYd"},{"type":"image","attrs":{"height":117,"note":[{"type":"text","text":"笔画运行","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/26620f385ccb48549b0d42af46ee8148","width":608},"text":"","id":"doxcnu0I8C6QSkQu6wC8uxXsIXY"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"提笔、按笔","id":""}],"text":"","id":"doxcnOKMO0aw0YYycCmpOuXS0uc"},{"type":"paragraph","children":[{"type":"text","text":"硬笔行书的用笔也讲究提按，以增强笔画的粗细变化和轻重的节奏。所谓提笔，就是笔从纸面提起，笔尖触纸力度小，笔画要细；所谓按笔，就是笔尖在纸上往下按，笔尖触纸力度大，笔画要粗一些。如图：","id":""}],"text":"","id":"doxcnMUQUQyqSI20yqa7sL7G9oS"},{"type":"image","attrs":{"height":120,"note":[{"type":"text","text":"提笔、按笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/771a46a498b94d1dbfce1dafd2b27352","width":635},"text":"","id":"doxcnekasEsoeoe4mu0Nonrjcle"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"翻笔、折笔","id":""}],"text":"","id":"doxcnkwSKqK2EUKaIOcl4UC3Ewf"},{"type":"paragraph","children":[{"type":"text","text":"翻笔，一般是向上取逆势，上一笔接下一笔出现的钩挑。如“古”字的横，“人”、“有”的撇都是用翻笔写成的。折笔，一般是向下、向右取顺势，如“口”字的横折、“山”字的竖折，都是用这笔写成的。不论翻笔、折笔，都要求用笔慢而有力。如图：","id":""}],"text":"","id":"doxcnyu6isAmOi4mGTUsHEOHMyl"},{"type":"image","attrs":{"height":116,"note":[{"type":"text","text":"翻笔、折笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/376c3e54379a4f8da1fdcdac2c9ec6d1","width":604},"text":"","id":"doxcn8mko4OE4Isik4sE9kDYhOb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"侧笔","id":""}],"text":"","id":"doxcnYUSKSkE6ecGYOyGakZ6Ece"},{"type":"paragraph","children":[{"type":"text","text":"侧笔主要取字的姿态，笔画的下笔处比较方折，显得刚劲有力。如“五、方”等字的长横，“永、广”等字的侧点，“志”字的中竖，“个”字的斜撇等，都是侧笔写成的。如图：","id":""}],"text":"","id":"doxcnickAgMqO4cSeqQWjFp2fOb"},{"type":"image","attrs":{"height":118,"note":[{"type":"text","text":"侧笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/34052b9680c943679ca2b04e24444a41","width":615},"text":"","id":"doxcniOQqoe8GSea4KwF9bGE8oc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"涩笔","id":""}],"text":"","id":"doxcnIkieauKK2cIEyGYClkTTTT"},{"type":"paragraph","children":[{"type":"text","text":"涩笔，书写时故意放慢行笔速度，认为制造行笔阻力。目的在于强调线条的质感，多用于竖钩、竖弯钩等笔画。如图：","id":""}],"text":"","id":"doxcncmuAC2coEcoyaMtuxgMHeg"},{"type":"image","attrs":{"height":120,"note":[{"type":"text","text":"涩笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a19fb0a98520486a9af24133ca5290f8","width":600},"text":"","id":"doxcngyyMMII2u0YoQH0KHwRW9d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"游笔","id":""}],"text":"","id":"doxcncgIsMuooiCmEyeecwIlOVc"},{"type":"paragraph","children":[{"type":"text","text":"游笔似行云流水，用笔流畅、便捷，多用于钩画字的轮廓，以增加线条的流动。如图：","id":""}],"text":"","id":"doxcn6A68Yw4a8CcqEjJ2IizvOd"},{"type":"image","attrs":{"height":12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撇，然后回锋向右下方写反捺，即成。撇捺折在撇捺的交接处要连写，要有折的风味。","id":""}],"text":"","id":"doxcnWewKKSI4cCscYF1HaN4kGc"},{"type":"image","attrs":{"height":59,"note":[{"type":"text","text":"折","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/79a94fe61ef64a4fa98d34a844cbb160","width":115},"text":"","id":"doxcnewcmg4qW6gEA0UaVVbOKre"},{"type":"paragraph","children":[{"type":"text","text":"5、三弯折是指三弯折曲折成三弯，如“乃”字。写法是先落笔写横，再折笔写弯，接着顺势向下弯出。三弯折要折而有韧劲，弯曲自然舒展。","id":""}],"text":"","id":"doxcnQ6CKwao4cIOMERTrg1fhHq"},{"type":"image","attrs":{"height":58,"note":[{"type":"text","text":"折","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/dc888fce47574bb3b23e27aa45348ecb","width":111},"text":"","id":"doxcnoeyy2S4qewywgDcvyMUwSQ"},{"type":"paragraph","children":[{"type":"text","text":"6、内勾折是由横撇折的外勾变为内勾，如“序”字。写法是写好横画后，接着翻笔写撇，撇要成内包势，随即趁势向右上勾出。","id":""}],"text":"","id":"doxcn2Ss2qCgGmKIyIBRbOunaWc"},{"type":"image","attrs":{"height":59,"note":[{"type":"text","text":"折","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9a9fff903cb242b6999cbc36061881e7","width":114},"text":"","id":"doxcnGq0mgYMSAuiAk1UtlcrkIg"},{"type":"paragraph","children":[{"type":"text","text":"7、鹅勾折是浮鹅勾的快速简便写法，如“光”字。写法是依势落笔写短斜竖，随即折笔向右上勾出。鹅勾折的折处要圆润遒丽，用笔要流畅明净。","id":""}],"text":"","id":"doxcnUcYuEAuYYAK2olswbP1IWg"},{"type":"image","attrs":{"height":59,"note":[{"type":"text","text":"折","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a2d65e9e63944a29a8c1e22d6b6d446c","width":114},"text":"","id":"doxcngKK2iS2mq28YKkCCgOrLEg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"行书偏旁","id":""}],"text":"","id":"doxcne4EC2w0iSQggQBLryTtseh"},{"type":"paragraph","children":[{"type":"text","text":"行书偏旁一定要根据与其所搭配的单体的长短、肥瘦,大小不同而有所变化，不能千篇一律。此外，部首一定要与其所搭配的单体互相呼应。呼应的方法，或者借助于楷书用意连，或者借助于草书用形连。形连时要注意既要靠牵丝，又要靠笔势，过多地使用牵丝，如果形连势不能连，整个字仍是盘散沙。","id":""}],"text":"","id":"doxcnSOOim2IA4aQigZNH3bjZ3b"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"食字旁","id":""}],"text":"","id":"doxcnwy2cmiKaaiiEOEDyjUgBld"},{"type":"paragraph","children":[{"type":"text","text":"侧锋落笔写撇，随即回锋写横勾折，接着顺势写竖仰勾。整个食字旁线条清楚匀称，是一笔写成。 ","id":""}],"text":"","id":"doxcnskckguQUkAiOaOq0mEPaZg"},{"type":"image","attrs":{"height":170,"note":[{"type":"text","text":"食字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a8aca3a771fc4a139c03aa0e90418c82","width":683},"text":"","id":"doxcn8sooCSyYuEuWmiJHQUlQjh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"衣字旁","id":""}],"text":"","id":"doxcn8weuAWyMEwOuaz7nBePYf7"},{"type":"paragraph","children":[{"type":"text","text":"首点向左下带出一点以呼应下一笔，撇点用撇提代替，改变示字旁的书写顺序。","id":""}],"text":"","id":"doxcnOUi6ocKee4wEgxutajZ0ug"},{"type":"image","attrs":{"height":178,"note":[{"type":"text","text":"衣字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8ba320b2860b4d5ea7f13cc526d07f4c","width":603},"text":"","id":"doxcnm044EWWyysAgKOz7kzuh0d"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"弓字旁","id":""}],"text":"","id":"doxcnQoSaoCCQGSEouEqkI0Mt1V"},{"type":"paragraph","children":[{"type":"text","text":"先落笔写横折，再翻笔写横折勾。弓字旁的弓须一气呵成，不能用两笔或三笔写成。","id":""}],"text":"","id":"doxcnkYSu64sIuM8kEVA00RUYge"},{"type":"image","attrs":{"height":143,"note":[{"type":"text","text":"弓字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/08c6744a04614a75a307d434eb2c4521","width":603},"text":"","id":"doxcnCI6m6QgMOu046KVUu1wVyf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"虫字旁","id":""}],"text":"","id":"doxcncuIAKskk2k6eWMBytYHUIe"},{"type":"paragraph","children":[{"type":"text","text":"落笔写短斜竖，再顺势写横竖折，接着回锋写下横，然后翻笔向上写竖折挑，为了便于书写，行书虫字旁的一点往往省掉。 ","id":""}],"text":"","id":"doxcnyk6kqwCUqqEW2RwzZ4n3ih"},{"type":"image","attrs":{"height":122,"note":[{"type":"text","text":"虫字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cb9cebae85cf4f3daa0cfe4223b8ea03","width":616},"text":"","id":"doxcnKQwUa42qiGgQ4XMINBjERg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"马字旁","id":""}],"text":"","id":"doxcnOqe6eOKia20mI1EpDYjbEc"},{"type":"paragraph","children":[{"type":"text","text":"落笔写出折勾，再回笔写竖横折勾，最后顺势写下横。下横一般写成挑画，以便书写右面点画。","id":""}],"text":"","id":"doxcnaWIkyqaUog64IXUTVzmjpd"},{"type":"image","attrs":{"height":152,"note":[{"type":"text","text":"马字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/16ffcec311ac4028b30e62c7250e5e0c","width":637},"text":"","id":"doxcni42mMSs2E2AOuIVn5LBdR1"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"页字旁","id":""}],"text":"","id":"doxcnYgAMQAkmUM8yMnjyyPcyJd"},{"type":"paragraph","children":[{"type":"text","text":"页字旁主要是在右部。其第一横要稍长，抗肩，中间用小撇画，不要太长，撇画的起笔位置稍靠左，第二个撇画的弯度较大一些，但不要写的太长，最后撇画带出小钩，呼应最后一点。","id":""}],"text":"","id":"doxcnggWey8I8Qy2gp6EKTxTgrr"},{"type":"image","attrs":{"height":200,"note":[{"type":"text","text":"页字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1ef06ff99d4f4cfb8f5d18c1c3c6cb88","width":499},"text":"","id":"doxcnGe2wGsEeCkE4WS28zkaZdg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"舌字旁","id":""}],"text":"","id":"doxcn0WCQaSSMQ6U40ePMyOCRZd"},{"type":"paragraph","children":[{"type":"text","text":"首先平撇要短，角度稍平，竖写短，横可稍长，但口字要写小。所以偏旁整体要小。","id":""}],"text":"","id":"doxcnw0QMekIIqY4MuoKDXqpNHg"},{"type":"image","attrs":{"height":128,"note":[{"type":"text","text":"舌字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/376a27e1eeb04fc48a3e0169b1c32a15","width":629},"text":"","id":"doxcnukqYqKcCWCqISWTs6rNoEd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"田字旁","id":""}],"text":"","id":"doxcnwiy4wqSwuEEAg1BTDW8gvd"},{"type":"paragraph","children":[{"type":"text","text":"田字旁也是写小，且整体稍向右上斜。","id":""}],"text":"","id":"doxcniQ6QCW62Acq0Ys0PILBIbS"},{"type":"image","attrs":{"height":136,"note":[{"type":"text","text":"田字旁","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/24ec8a9db1b44db2816be55337f4d46b","width":614},"text":"","id":"doxcnU4AEwyO6UmKWnsuY5eX5Io"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行书章法","id":""}],"text":"","id":"doxcn0k2USuqGSugoCmR2YmrWAf"},{"type":"paragraph","children":[{"type":"text","text":"行书是介于楷书和草书之间的书体，是日常生活书写中最常用最流行的书体。尤以钢笔行书为最。行书笔画、结构有一定的伸缩性，形态又多变化，丰富奇彩、意到笔随，可塑性大，利于发挥艺术效果，实用价值更是超过其它书体。一副得意之作，通篇结构，引领管带，首尾呼应，一气呵成，各尽意志，气适流动，起伏随势，巧布虚陈，寄情寓意，无不淋漓尽致，酣畅爽快，令人赏心悦目。这些都说明章法在行书创作中显得尤为重要。","id":""}],"text":"","id":"doxcnYWYK8W6Ky0U4I7p3ZGyLpe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"章法特点","id":""}],"text":"","id":"doxcnscaOkQmK2ym2uuacwmDWBb"},{"type":"paragraph","children":[{"type":"text","text":"行书由于笔画、结构变化较大，形体各异，加之书写风格不同，因而即使同一字也会出现多种形态，有肥瘦、长短、方圆、雄浑、挺拨、俊秀等差别。正是这些差别，使行书作品千姿百态，异彩纷呈，构成了不同的气韵的章法。因此，行书的谋篇布局较楷书要灵活得多，具有如下特点：","id":""}],"text":"","id":"doxcnqAOUUCUEQ82MNIa8dy6Jqr"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"笔势多取纵势","id":""}],"text":"","id":"doxcnem6uwmIUgkUOCiIIHAVoEc"},{"type":"paragraph","children":[{"type":"text","text":"由于行书笔画活泼流动，笔画之间有牵纵行带，前字的末笔与后字的首笔连带密切，如取纵势，更显得如行云流水，气韵贯通，给人以一气呵成之势。","id":""}],"text":"","id":"doxcncqai8YcC4qkEcJZZYp0wbf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"疏密变化自如","id":""}],"text":"","id":"doxcnEe4IuQwQKco6ioVhPww3Yg"},{"type":"paragraph","children":[{"type":"text","text":"行书除笔画、结构有疏密变化外，在整体布局中通过改变字形的大小、长短、字态的肥瘦、俯仰，能自由地调整疏密位置与布白，达到疏密得当，布白奇妙的效果。","id":""}],"text":"","id":"doxcngI8I8iWY4ggEETpYW4TWKg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"参差错落有致","id":""}],"text":"","id":"doxcnyY6McsoGiCAI49eIbJf1Yg"},{"type":"paragraph","children":[{"type":"text","text":"行书不仅仅笔画、结体各部分及字与字之间有参差变化外，而且行与行之间及通篇亦有错落变化，这样，整体布局显得活泼灵动，妙趣横生。","id":""}],"text":"","id":"doxcnkQa262qAS4Y44kebdWNjlc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行气直抒胸臆","id":""}],"text":"","id":"doxcnWEUW0aSwKqwioL7kGZZbih"},{"type":"paragraph","children":[{"type":"text","text":"由于行书书写速度较快，行笔之时情法于中、笔情交融，最能直接表达书者的情感，增加作品的感染力。","id":""}],"text":"","id":"doxcnAyKM0AU8QauAC89X8PETgg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"谋篇技巧","id":""}],"text":"","id":"doxcn8g2yw6YQisMUewcHsiCBnc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"以动为主","id":""}],"text":"","id":"doxcnQGCG264aiCOa62eig4dIyg"},{"type":"paragraph","children":[{"type":"text","text":"楷书的章法以静为主要特征，给人以平和稳定、一丝不苟、不激不厉和端正严肃的感觉；行书章法则以动为主要特征，给人以生动飘逸和富有生命活力的感觉。","id":""}],"text":"","id":"doxcnusII6oWAIeaeGO2l13qZgh"},{"type":"paragraph","children":[{"type":"text","text":"前人出书法要“师造化”，凡在现实生活中能见到的动作姿态，都可借鉴到行、草书中去，以增强行书作品的动感，丰富其内涵和底蕴。多欣赏和临写古今行书大家作品，也是培养书写动感的有效途径。我们不能用楷书的结体和章法来写行书，这样会使作品显得沉快无生气。","id":""}],"text":"","id":"doxcnSaqOeS0KomkCcB90z1cpjh"},{"type":"paragraph","children":[{"type":"text","text":"虽然行书强调动感，但并不是随意为之、不要法度，它仍要遵循一定的规律，以严谨求灵变，避免过于放纵。","id":""}],"text":"","id":"doxcn04CaAAAGGqYCkB74bKmj5e"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"以不齐求齐","id":""}],"text":"","id":"doxcnqYaAUqMyEqaoGolGrLFSLf"},{"type":"paragraph","children":[{"type":"text","text":"楷书要求字的上下左右间隔匀称，排列整齐，以工整规范为美。行书则要求字形有大小，间隔有疏密排列，有错落变化，以局部的不整齐求得整体的平衡、稳定和齐整，以变化为美。一幅好的行书作品，初看起来一行一行排列得很整齐，行与行之间的距离也相等，一气呵成，浑然一体，气韵生动，但细看起来，我们不难发现，字与字并不对齐，有的偏左，有的偏右，左右动荡不写，行与行之间的距离也不相等，有的紧，有的松，没有定则，即所谓的“行书无写法”，需要我们多实践、多体会。","id":""}],"text":"","id":"doxcng0m6K4mIWIQuSTyRdR0iNC"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"具有节奏变化","id":""}],"text":"","id":"doxcn0mGoqc8CKiKuisjCYuI1rf"},{"type":"paragraph","children":[{"type":"text","text":"一幅好的行书作品，就象一首抒情的歌曲，时而婉转平和，时而高亢豪迈，时而如行云流水，时而如电闪雷鸣，几经曲折，波澜起伏。这些都是书者书写时情感的自然渲泄，这种渲泻是有节奏的，体现了行书作品的节奏美。","id":""}],"text":"","id":"doxcnk6oS4648y26OANLehr5Ayh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"前后呼应","id":""}],"text":"","id":"doxcncwCUi2miWAaOs9cTQCQNIe"},{"type":"paragraph","children":[{"type":"text","text":"行书作品最注重首字，应静心写好文稿第一字，以统领全篇。要使行书的章法显得严谨而又富于变化，一定要注意前后呼应关系，要意在笔先，事先考虑好前后字的衔接问题。","id":""}],"text":"","id":"doxcngiUEOuykEcou6ls65je4Ec"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"书写姿势","id":""}],"text":"","id":"doxcnkIiu0qG4ISKEWEV29p0Lhe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"坐姿","id":""}],"text":"","id":"doxcno4wuicC8u4woolgT0iFfKe"},{"type":"paragraph","children":[{"type":"text","text":"正确的书写姿势不只是为了好看，还可以使书写技能得到充分、有效地发挥，有助于书写者的身心健康。书写姿势同时也反映出书写者的修养，只有身正才会字正。正确的姿势应是头正、身直、肩平、胸舒、臂开、足安。","id":""}],"text":"","id":"doxcnkMSswUI2WKAol2w4DioiKY"},{"type":"image","attrs":{"height":269,"note":[{"type":"text","text":"坐姿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/68e50955c9bf49c79a2d33fa599f8967","width":249},"text":"","id":"doxcnqm2uCmw0owUUY5OWH2KzUg"},{"type":"paragraph","children":[{"type":"text","text":"1、头部端正：头要居中，稍向前下方俯视，眼睛与纸面一尺距离，不可俯得太低，也不可左偏、右斜。","id":""}],"text":"","id":"doxcnqAMQGGsCsMWSUpcK0JxSKb"},{"type":"paragraph","children":[{"type":"text","text":"2、身直肩平：臀部平坐于椅子中间大部，不能扭向一边，两肩平齐，上身不弯曲，使上身重心安稳。","id":""}],"text":"","id":"doxcnoUiYWyqyCYMED5LIMvyBoq"},{"type":"paragraph","children":[{"type":"text","text":"3、臂开胸舒：两臂自然开张，两肘平放桌面，保持一线，腹背挺直，胸口与桌沿保持一拳距离，使呼吸顺畅。","id":""}],"text":"","id":"doxcn0McKYqQOOsQU8lGajEQpze"},{"type":"paragraph","children":[{"type":"text","text":"4、腿开足安：两腿分开，与肩同宽，自然下垂，内侧保持平行，两脚平放地上，使全身平衡。正确的书写姿势，才能使字写得端正，重心平衡。同时，正确的姿势也会给人的身体带来益处。","id":""}],"text":"","id":"doxcnAwCCaoS8cUaUK4bwzdP1wb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"握姿","id":""}],"text":"","id":"doxcn484YCWuqYCgQKKJJq1SqBf"},{"type":"paragraph","children":[{"type":"text","text":"执笔方法不正确，不但妨碍书写姿势，影响书写质量，还会给书写者身心健康带来危害，不可忽视。根据笔的自身特点，硬笔是三指执笔法，斜拿。","id":""}],"text":"","id":"doxcnmkciww0WuyUa4iC5JCK6Ic"},{"type":"paragraph","children":[{"type":"text","text":"正确的执笔方法：","id":""}],"text":"","id":"doxcn8A4cGIEUOYy0GW13CkCCOb"},{"type":"paragraph","children":[{"type":"text","text":"①用拇指、食指、中指三个指头捏住笔杆（三指处于同一平面）；","id":""}],"text":"","id":"doxcnIywGmOiyoCcMgN2M7T7Nog"},{"type":"paragraph","children":[{"type":"text","text":"②指尖距笔尖约2.5cm~3cm（两指左右）；","id":""}],"text":"","id":"doxcnc2QIceAcSgKAWGKahaJm8g"},{"type":"paragraph","children":[{"type":"text","text":"③所有指关节都向外弯；","id":""}],"text":"","id":"doxcnuScKqwMEoSUcys1lP97bCh"},{"type":"paragraph","children":[{"type":"text","text":"④笔杆位于食指的根部（如下图）。","id":""}],"text":"","id":"doxcnEyke2coyo0M6eXj1qhSuNs"},{"type":"image","attrs":{"height":200,"note":[{"type":"text","text":"握姿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8ce7201cb08b47529021161e4b3de06b","width":382},"text":"","id":"doxcne0eiCmM0cG4U6p3INPuCMc"},{"type":"paragraph","children":[{"type":"text","text":"同时，还要做到：","id":""}],"text":"","id":"doxcnamykg6AwCq2Ac9h72enUCc"},{"type":"paragraph","children":[{"type":"text","text":"①指实：拇指、食指、中指来自三方的力量，处在与笔杆垂直的同一圆角上，将笔杆夹牢，松紧适度。","id":""}],"text":"","id":"doxcnweCWAUYiyGeg2TkOOdNbBb"},{"type":"paragraph","children":[{"type":"text","text":"②掌虚：无名指和小指紧随中指下部依次靠拢，并向掌心弯曲、虛握。小指的整个底部形成一个环形底座，虚贴桌面。","id":""}],"text":"","id":"doxcnA02SkuSikAEiSOc82XnAC8"},{"type":"paragraph","children":[{"type":"text","text":"③杆斜：笔杆向右后方倾斜，紧靠在食指第三关节与虎口方向，与桌面呈45°角。如果写较大的字，手指向前伸直，笔杆与纸面角度减小；书写较小的字手指向掌心收缩，笔杆与纸面角度大，宜于精離细琢。","id":""}],"text":"","id":"doxcn0EAes80guA0Gg9lxRjo0hb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"工具","id":""}],"text":"","id":"doxcnOk6mywusO2IOkN3g9fTK2c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"选笔","id":""}],"text":"","id":"doxcnIOwM62Iy8uGU0alFfMMjUb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"钢笔","id":""}],"text":"","id":"doxcnSaW8SwyIoEouaOmyhAUNVh"},{"type":"paragraph","children":[{"type":"text","text":"钢笔的地位在硬笔练字中处于不可撼动的地位，较强表现力可以反映出毛笔的效果。适合练字的钢笔，日笔应该比欧笔更适合一些。推荐白金3776，百乐78G，写乐21K等。","id":""}],"text":"","id":"doxcnMUmI4aIokKw6cbKMEuVWDg"},{"type":"paragraph","children":[{"type":"text","text":"关于练习钢笔的选择，我们可以遵从以下原则：","id":""}],"text":"","id":"doxcn06GiYsWC4mq00ovgwEGzRb"},{"type":"paragraph","children":[{"type":"text","text":"（1）不使用美工笔。美工笔不利于稳定练习；","id":""}],"text":"","id":"doxcnO2UQEqWkuQuQCIEGKZsrbg"},{"type":"paragraph","children":[{"type":"text","text":"（2）不使用写起来不适的钢笔。比如出现堵笔、洇墨、摩阻过大等问题；","id":""}],"text":"","id":"doxcnQ42AKQqyYg6I8hGOKSkeOc"},{"type":"paragraph","children":[{"type":"text","text":"（3）不使用过贵的钢笔。在成本练字的过程相对耗笔，尽量做到成本控制，贵的笔对练字本身没有太实质性的帮助。","id":""}],"text":"","id":"doxcni404gSg2e6WyMPg2b2F9Bb"},{"type":"image","attrs":{"height":266,"note":[{"type":"text","text":"钢笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/efce42fa90fe484395d9143de95dc1bf","width":400},"text":"","id":"doxcn4uY6IYu2ICIw3EuOMlrjFG"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"中性笔","id":""}],"text":"","id":"doxcnmwuQmOGuS042gvVP3Id6ah"},{"type":"paragraph","children":[{"type":"text","text":"中性笔有稳定、表现力强、便宜、便捷、书写舒适等优点，是一种相对完美的笔。不止在此次行楷练习试验中，日常生活中，大多数人更愿意使用0.5中性笔。","id":""}],"text":"","id":"doxcn4OGuOsYGGC6iqaredoyuJY"},{"type":"paragraph","children":[{"type":"text","text":"推荐适合练字的中性笔","id":""}],"text":"","id":"doxcnoOmKaemOqcccEVs5KJ77Gg"},{"type":"paragraph","children":[{"type":"text","text":"1、国产中性笔宝克PC-1168，这款笔无论从握持手感、出水流畅度、品控还是书写感受方面，都属于第一梯队的，一点也不比那些昂贵的进口中性笔差。","id":""}],"text":"","id":"doxcnqEukCgewS60EcX2tvmYDVg"},{"type":"paragraph","children":[{"type":"text","text":"2、百乐P700和P500，其实就是0.7和0.5，笔感超级顺滑，而且出水不多不少，非常好写，这么出名是有原因的。可能看不出来，但0.5确实比0.7的更细。练字推荐用0.7，0.5的可以日常用。","id":""}],"text":"","id":"doxcnUek84A6OCEgOCw5UNMUhJb"},{"type":"paragraph","children":[{"type":"text","text":"中性笔的挑选可以遵从如下原则：","id":""}],"text":"","id":"doxcnkkICQqo6Cm88u7WuiDWz7e"},{"type":"paragraph","children":[{"type":"text","text":"（1）书写流度，笔触顺骨，笔画饱满，墨色均匀；","id":""}],"text":"","id":"doxcnKe4siIGgSEsaaELXNWpi1H"},{"type":"paragraph","children":[{"type":"text","text":"（2）握笔舒适度，长时间书写不会有过于明显累手、压迫感；","id":""}],"text":"","id":"doxcnwqUMSieS8gsAqyBuq40XIc"},{"type":"paragraph","children":[{"type":"text","text":"（3）墨干燥速度，书写时不会被谱黑就行。","id":""}],"text":"","id":"doxcnEyCssSI00Wq2cFm5hjXT7b"},{"type":"image","attrs":{"height":300,"note":[{"type":"text","text":"中性笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9f858d495e934607b39050eb30d2ed77","width":300},"text":"","id":"doxcnY8SCicMsOOis8J3zWX7Htb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"其他笔","id":""}],"text":"","id":"doxcnSQ2s0gw8CIyYquSaWHLhKe"},{"type":"paragraph","children":[{"type":"text","text":"除了钢笔和中性笔，其他笔类都可以进行练字。种类繁多，最为常见的有铅笔，圆珠笔等。不一定局限于某种笔。","id":""}],"text":"","id":"doxcnEe2muKE6CeU2kfO5ezrUxe"},{"type":"image","attrs":{"height":220,"note":[{"type":"text","text":"其他笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1b423b0b4e1e43c6913f2e1b4ab63a7a","width":220},"text":"","id":"doxcn084Uwumk8C8U068kJ9qbIg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"纸张","id":""}],"text":"","id":"doxcnoGqquMwA8CQYG2DKdolh3c"},{"type":"paragraph","children":[{"type":"text","text":"练习纸种类繁多，常见的有回宫格、米字格、田字格、空白格、横线格、竖线格等等，练习纸的选择也需依据自己的基础，初学尽量选择辅助线多的回宫格、米字格等，随着阶段的变化，练习纸也应该有所改变以减少辅助，达到科学练习的目的。按时间顺序，不止使用了米字格纸、田字格纸、空白格纸、横线纸、竖线纸、白纸。","id":""}],"text":"","id":"doxcnS60ocSugMSWegNnbUyHQ2b"},{"type":"paragraph","children":[{"type":"text","text":"重点：从脱离米字格到白纸，练字整个过程都贯穿着田字格纸的巩固练习，不属于完全转换状态。","id":""}],"text":"","id":"doxcnosQSwUYCgq66QJHLq094Ud"},{"type":"paragraph","children":[{"type":"text","text":"另外，有以下几个点可以注意：","id":""}],"text":"","id":"doxcnSugi6IWWKMKSWd3Ibp7GtZ"},{"type":"paragraph","children":[{"type":"text","text":"（1）当没有问题的笔墨写在纸上产生洇墨、阻力大等类问题，建议换纸。","id":""}],"text":"","id":"doxcnwOOW42wEyY6EKcEt3OKSBh"},{"type":"paragraph","children":[{"type":"text","text":"（2）不要使用线格过小的纸，选择写起来有种自然舒适状态的纸。","id":""}],"text":"","id":"doxcnwQoU4AWmY4YmWMBLwAw1rf"},{"type":"paragraph","children":[{"type":"text","text":"（3）不要刻意追求“好”纸，硬笔行书的练习对纸的要求较低。","id":""}],"text":"","id":"doxcn8UIMuwA4KiKQk95m4tnAMb"},{"type":"image","attrs":{"height":1185,"note":[{"type":"text","text":"纸张","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1370f12a9b3b4d938074b49cdfa4ca62","width":790},"text":"","id":"doxcnqkWu80g8O6mAQr6qkPMw7f"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"字帖","id":""}],"text":"","id":"doxcnUASa6Y2KiSaSSutOmuSNyg"},{"type":"paragraph","children":[{"type":"text","text":"如果基础比较差，或者追求没那么高，可以从现代字帖练，比较容易上手。如果想追求书法或者有一定基础，那么就要多临摹古帖了。硬笔临摹古帖，初学以赵孟頫行楷《妙严寺》、《胆巴碑》过度，再以《赤壁赋》、《吴兴赋》入手，然后可以临文征明等二王一路的帖。或者直接以李邕《法华寺》入手。以上字帖，要下大功夫临摹，专注一本，长期熏修，悟到行书精髓，然后可以遍临诸家。","id":""}],"text":"","id":"doxcnucQUMwau2sCUwfnACIbDgg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推荐字帖","id":""}],"text":"","id":"doxcnMiQqCcEE8OuoqYdd2ZXLWg"},{"type":"paragraph","children":[{"type":"text","text":"1、田英章的字帖","id":""}],"text":"","id":"doxcn0yGccyK8U4Q8gPBSuvP2yg"},{"type":"paragraph","children":[{"type":"text","text":"田英章的硬笔字，刚中带柔，舒展洒脱。","id":""}],"text":"","id":"doxcneAcyecEwwsa4FbIfMmqEyr"},{"type":"paragraph","children":[{"type":"text","text":"以下是田英章老师的一些作品：","id":""}],"text":"","id":"doxcnAqcEGE4mma06sMSHXIP0nb"},{"type":"imageList","children":[{"type":"image","attrs":{"height":475,"note":[{"type":"text","text":"推荐字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/57790c3f579340c6a3d920e542c5e081","width":439},"text":"","id":"doxcn84aA4kmYeGssOkRDzIifpe"},{"type":"image","attrs":{"height":523,"note":[{"type":"text","text":"推荐字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/665960b664004091947413f309229f9b","width":363},"text":"","id":"doxcnsOcsieq6aiK82VKH4M2P2f"}],"text":"","id":"doxcngsyKg4mwsuiUu0xj1d3RXf"},{"type":"paragraph","children":[{"type":"text","text":"2、李放鸣字帖","id":""}],"text":"","id":"doxcngsyKg4mwsuiUu0xj1d3RXf"},{"type":"paragraph","children":[{"type":"text","text":"李放鸣字的风格与田英章老师较为相近。其书法字帖因选材独特、版式新颖、印刷精美，被许多学校作为指定书法教材，在全国首届硬笔书法系列评比中获书家组“十佳字帖”奖，","id":""}],"text":"","id":"doxcneacYskAWwAsmUXP2ENjdhh"},{"type":"paragraph","children":[{"type":"text","text":"以下是李放鸣老师的一些作品：","id":""}],"text":"","id":"doxcnUMwS40qQc8kgUjRNRb08Fd"},{"type":"imageList","children":[{"type":"image","attrs":{"height":510,"note":[{"type":"text","text":"推荐字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/076399aa06bd441c8d96060b3a5cc8c6","width":356},"text":"","id":"doxcnCia2usY2Cg4qAlPMs7VljU"},{"type":"image","attrs":{"height":430,"note":[{"type":"text","text":"推荐字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/d3cafb01a8ad4dcf99af2fb29b35c803","width":521},"text":"","id":"doxcnMOAocWOqOMKW2dihMx5xMc"}],"text":"","id":"doxcnsiGWUyekYW2AkdYQvl4iic"},{"type":"paragraph","children":[{"type":"text","text":"3、司马彦行书","id":""}],"text":"","id":"doxcnsiGWUyekYW2AkdYQvl4iic"},{"type":"paragraph","children":[{"type":"text","text":"司马彦的行书相当棒特别适合初学者临习，临他的字帖其优点是不容易走偏而且有利于将来的发展是国内目前少有的即有名气又有实力的书法家，他的行书字帖是国内许多院校硬笔行书的必修课。","id":""}],"text":"","id":"doxcne82wyikkM6yoQTMT0J7cRf"},{"type":"image","attrs":{"height":465,"note":[{"type":"text","text":"推荐字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/31d1eddee0c14259a78f64d44dd40234","width":388},"text":"","id":"doxcnwQAM8yuu6EI8OGQGVz4TSc"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"书写注意的问题","id":""}],"text":"","id":"doxcneACOeq0e6qUQuKLKnhE4If"},{"type":"paragraph","children":[{"type":"text","text":"钢笔行书的幅式有中堂条幅、条屏、对联、横幅、长卷、扇面等幅式。","id":""}],"text":"","id":"doxcnEmOcoAicOWaomomHXoY14e"},{"type":"paragraph","children":[{"type":"text","text":"钢笔行书函文的书写形式，也有竖写和横写两种方式。常用的排列方式，与楷书大体接近。一般用单线稿纸或无格纸书写较多，方格纸用得较少。","id":""}],"text":"","id":"doxcnC2gwqOuYS8ysEDNep9PiJh"},{"type":"paragraph","children":[{"type":"text","text":"钢笔行书的落款，款文要用本体或行草书写，款文字形要小于正文，钤印的印章宁少勿多，1-2方足矣。印章的大小，应等于或略大于款文，但不得大于正文。钤印位置要与正文相呼应，起到活跃布局、平衡作品的作用。","id":""}],"text":"","id":"doxcnKU0A6ys0sK28ibu7GJzlib"},{"type":"paragraph","children":[{"type":"text","text":"(一)要以楷书为基础，在结构和用笔两方面练好扎实的基本功。行书的用笔和结构虽然较楷书有所变化，但还没有达到草书“解散楷体”的程度。因此，学习行书必须要具备一定的楷书基础。","id":""}],"text":"","id":"doxcnsIwyOWS6oSuiWaB3wrfzng"},{"type":"paragraph","children":[{"type":"text","text":"(二)要重视临摹。行书虽然承袭楷书，但笔画、部首和结体都发生了一些规律性的变化。这些规律性的变化、写法，就要通过临摹去掌握，而不能随心所欲。","id":""}],"text":"","id":"doxcnwQ4wQwkYomAcGiwp3anBtc"},{"type":"paragraph","children":[{"type":"text","text":"(三)不宜过分强调和滥用行书的用笔特点。前面讲了行书诸多特点，在书写中适当运用能给字增色，但如果过分追求和滥用某一方面的特点，就会走向反面。如，笔笔相连，就会造成圈眼密布而形同蛛网。","id":""}],"text":"","id":"doxcn80K8KKs2meo2ikpSz93xpg"},{"type":"paragraph","children":[{"type":"text","text":"(四)学习行书宜从部首开始。行书在长期使用过程中形成了一些约定俗成的写法，熟悉和掌握这些部首的写法，就能了解行书的造形规律，收到举一反三之效。","id":""}],"text":"","id":"doxcnKUcKcQgYEieUiE5yGslaKf"},{"type":"image","attrs":{"height":614,"note":[{"type":"text","text":"书写注意的问题","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f87da4b8482e41228ccdfe6e92fcdc64","width":640},"text":"","id":"doxcnKCoUKUikmkMIwEKlo0aKYK"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"坚持练字","id":""}],"text":"","id":"doxcnocwmwKgqkqYq4G69LKJECb"},{"type":"paragraph","children":[{"type":"text","text":"当我们学习一项新技能，坚持这件事无疑是学习过程中最重要的事，也是最难做到的事，练字也是这样。","id":""}],"text":"","id":"doxcnYIOAcgwMewkcqqmYlNpqEg"},{"type":"paragraph","children":[{"type":"text","text":"想要坚持就得有大的决心，然后培养出习惯，并且能体会到练字给自己带来的乐趣。在坚持的过程中，能够得到来自别人和自己的肯定。","id":""}],"text":"","id":"doxcnEsUqYQi8Wg8ciXxCWIY1hb"},{"type":"paragraph","children":[{"type":"text","text":"所以，不妨列一个计划，树立一个可以达到的目标。前期的目标不能追求质的改变，需要做量的积累。例如，我要临写琴赋，我每周要认真的练10个字。我第一天可以通临一遍，我第三十天的时候再通临一遍。可以做一次比较。如果认真练，一个月，成果还是能激励到自己的。","id":""}],"text":"","id":"doxcnSo6Y20gMyKiEfvjAeoXhiI"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnQKUWsAU0AOI2Wg9VerpJWf"}]%3C%2Fhowto_content%3E

4、广东工业大学有哪些研究生院？

机电工程学院

张老师

020-39322303

jdyjs@gdut.edu.cn

自动化学院

许老师

高老师

020-39322469

zdhxyyb@163.com

轻工化工学院

吴老师

020-39318653

qhjw@gdut.edu.cn

信息工程学院

谢老师

020-39322259

xxyjs@gdut.edu.cn

土木与交通工程学院

刘老师

020-39322510

gdgydxtmyz@126.com

管理学院

梁老师（博士/学硕）

020-87082783

glyjs@gdut.edu.cn

周老师（专硕）

020-87083029

MBA@gdut.edu.cn

邓老师（MBA）

020-87083010

计算机学院

周老师

020-39322277

jsjyjs@gdut.edu.cn

材料与能源学院

余老师

020-39322571

wsjxx@gdut.edu.cn

环境科学与工程学院

肖老师

020-39322296

hjyjs@gdut.edu.cn

外国语学院

左老师

020-39322897

wyjw2897@gdut.edu.cn

应用数学学院

袁老师

020-87083272

yysxyjs@gdut.edu.cn

物理与光电工程学院

米老师

020-39322266

mitingting@gdut.edu.cn

艺术与设计学院

林老师

020-37804761

ysxyyjs@gdut.edu.cn

政法学院

黄老师

020-87587974

wfjw@gdut.edu.cn

建筑与城市规划学院

邝老师

020-37627551

jzcgjw@gdut.edu.cn

经济与贸易学院

刘老师

020-87080342

jm_yjsbgs@gdut.edu.cn

生物医药学院

许老师

020-31003449

403507878@qq.com

环境生态工程研究院

何老师

020-39322141

hehjw@gdut.edu.cn

马克思主义学院

5、如何学下象棋？

象棋是中国传统棋类益智游戏，有着悠久的历史。象棋属于二人对抗性游戏的一种，不仅用具简单，趣味性强，而且还能锻炼人的记忆，培养全局意识以及正确的竞争观念，所以学习下象棋是一个非常不错的选择，那么如何学下象棋呢？

认识象棋

学下象棋，第一步肯定是要了解象棋的组成和规则，这是学下象棋的基础。

象棋组成

棋盘

象棋棋盘横线纵线形成9*10=90个交点，这90个交点为可落子处。

一盘未开局的棋如下图所示

棋子

帅（将）：帅（将）是棋中的首脑，是双方竭力争夺的目标。它只能在九宫之内活动，可上可下，可左可右，每次走动只能按竖线或横线走动一格。帅与将不能在同一直线上直接对面，否则走方判负。

仕（士）：仕（士）是将（帅）的贴身保镖，它也只能在九宫内走动。它的行棋路径只有九宫内的四条斜线。

相（象）：相（象）的主要作用是防守，保护自己的帅（将）。它的走法是每次循对角线走两格，俗称“象飞田”。相（象）的活动范围限于河界以内的本方阵地，不能过河，且如果它走的田字中央有一个棋子，就不能走，俗称“塞象眼”。

车：车在象棋中威力最大，无论横线、竖线均可行走，只要无子阻拦，步数不受限制。因此，一车可以控制十七个点，故有“一车十子寒”之称。

炮：炮在不吃子的时候，移动与车完全相同。当吃子时，己方和对方的棋子中间必须间隔1个棋子（无论对方或己方棋子），炮是象棋中唯一可以越子的棋种。

马：马走动的方法是一直一斜，即先横着或直着走一格，然后再斜着走一个对角线，俗称“马走日”。马一次可走的选择点可以达到四周的八个点，故有“八面威风”之说。如果在要去的方向有别的棋子挡住，马就无法走过去，俗称“蹩马腿”。

兵（卒）：兵（卒）在未过河前，只能向前一步步走，过河以后，除不能后退外，允许左右移动，但也只能一次一步，即使这样，兵（卒）的威力也大大增强，故有“过河的卒子顶半个车”之说。

象棋术语

1、九宫：俩斜线连同周边方格组成的区域。

2、将军：一方子力去杀对方将或帅，迫使对方应着。

3、当头炮：即将任意一炮平至中路，威胁对方九宫。这是一种常见的布局着法。由于将、帅行动限在“九宫”以内，所以当头炮的控制威力很强，也叫中路炮。

4、屏风马：两马分立于九宫的两侧，形如“屏风”以拱卫京师。

5、单边马：一马守中卒而另一马跳边，有左、右单边马布局的差别。

6、双边马：俩马一个跳九路，一个跳一路。

7、士角炮：平炮到九宫上俩点任意一点。

8、仙人指路：先行一方起着挺象肩兵（左右皆可），试探对方的应着，就像“投石问路”一样。

象棋规则

吃子

1、无论什么棋子，通常只要根据行棋规则能走到的部位有对方的棋子就能吃掉对方的棋子。

2、而唯一列外的是炮的吃棋方法，比较特殊，需要中间隔有旗子（无论是己方的还是对方的棋子）才能吃掉对方的棋子。

将死和困毙

1、一方的棋子攻击对方的将（帅），并在下一步要把它吃掉，称为照将，或简称将。照将不必声明。

2、被照将的一方必须立即应将，即用自己的着法去化解被将的状态（而不能应将不顾，而走其它的棋子）。

3、如果被照将而无法应将，就算被将死（一方胜棋）。

4、轮到走棋的一方，无子可走，就算被困毙（无棋可走这方为输棋）。

胜负判定

1、一方的一个棋子准备吃掉对方的帅(将)，叫"将军”(check)，若对方的帅(将)不能逃脱，也就是说无论如何"将军”者在下一个回合都能吃掉对方的帅(将)，则为“将死”(checkmate)，吃掉对方帅(将)者判胜利。

2、如果轮到一方走，此时这方并没有被“将军”但其走无论任何一个棋子，另一方都能在下一个回合里吃掉他的帅(将)，则也判这方负。

3、如果轮到走棋的一方没有任何能够移动的棋子，那么也判这方负。

4、双方均无能力"将死”对方时，判和。

行棋规则

对局时，由执红棋的一方先走，双方轮流各走一着（双方各走一着，称为一个回合），直至分出胜、负、和，对局即算终了。

基本杀法

对面笑

对面笑的意思就是说，下棋时，乙方占据了九宫，九宫中有没有其他的棋子可以掩护，这时候就可以利用将和帅不可以碰面这个原则，来控制中路，再利用车、炮、兵等在对方将/帅所居的肋道上纵向照将而取胜。

双车挫

“双车挫”就是利用两辆车交替“将军”，知道把对方的将或者帅杀死。“双车挫”可以早对方的将领没有其他多余的子或者没有士象的保护的时候使用，迅猛无比。如果有士保护，则需要其它的配合来破掉士。这种杀法由于双车要交替将军，因此双车不能在一条直线上。

三车闹士

“双车挫”的用法，在整个棋局面临残局的时候，乙方的兵卒已经成功的进入九宫，这时候如果攻击对方的中士，又以双车相配合，其攻击力量相当于三个车，故名三车闹士。

海底捞月

在无法攻破对方正面防御时，借助帅(将)对中炮的控制力，把子力运动到底线，在其帅(将)的背后发起攻击而取胜的方法，称为“海底捞月”，也叫 “沉底月”、“海底炮”，是车、炮胜单车的杀法。

在车、炮胜单车的残局中，车炮一方通常要占据中路，再用炮借车力在将(帅)底下将对方守护在肋线的车赶走，而后退车用对面笑杀法做成杀势。

夹车炮

双炮和车集中于一侧，用车和双炮交替将军，其形式与双车挫杀法相类似。这种杀法比较容易理解，关键是有的时候车炮不在—侧也可以通过运子构成杀势。

大胆穿心

又称大刀剜心，就是车在其他子力的配合(主要是炮对对方象士的牵制)下强行杀对方中士，逼对方用底士去吃车，从而闪露出底线的空当再用其他子作杀。若其不用底士吃车而是拐将，则同样可将死。

铁门闩

利用中炮的威力控制中路，再用车封住将门后用其他子配合底线强行将杀。如果对方有一车守底线，攻击方有两只重叠的车再加上将(帅)之力，也可破敌，称为“露将三把手”或“连将三出车”。有时候也用兵来代替车控制将门。

千里照面

利用中炮和双车的威力，在有底士的一侧要杀，再弃车杀底士然后车正面照将成杀。这种杀法要注意的是对方中路是士象可用此杀法，但是如果中路是士和炮就不能采用，因为黑方可献中炮解杀。

双车肋士

一方以双车侵入对方九宫两肋后，弃车强行构成杀局，在实战对局中较为常见。

炮辗丹砂

以车炮侵入对方底线，借助车的力量辗转扫荡对方的士象或其他子力，从而将死对方，这种杀法称为炮辗丹砂杀法，俗称“打剥皮”。

闷杀

一方通过将、要杀或弃子等攻击手段造成对方子力自堵将(帅)活动空间而一举将死对方的杀法。利用对方双士不适当的联结，自阻将(帅)的活动范围，用一炮将对方将(帅)杀死在原位，习惯称为“闷宫”。闷宫可以看作是闷杀的一种特殊形式。

重炮

重炮杀法指—方将双炮重叠于一条线上，一炮充当炮架，另一炮将军，或前炮将军后炮控制，将对方杀死。俗语说：重炮无垫子，就是指这种杀法所具有的威力。

前面所讲的夹车炮杀法，双炮在一条线上也是一种重炮杀法。两者的区别就在于夹车炮杀法是以车和双炮交替将军而把对方杀死，而重炮杀法是把对方将 (帅)固定于一条直线上用双炮将死。

天地炮

天地炮杀法指攻击的一方一炮镇在中路，一炮沉在底线，使对方的防守力量都被牵制住，然后用其他子力配合而将对方将死的杀法。这种攻杀方法以车配合双炮攻击最为常见，也是威力最大的杀法之一，包括车到底线、出将再车杀中士这两种杀法。

双将

双将指攻击的一方把自己的几个子组合起来，同时从两个方向照将，从而杀死对方。这种杀法是象棋杀法中比较凶悍的一种，初学者由于对一些杀法或者各子的攻杀能力还理解得不够深刻，经常一时不防被杀。如果掌握了一些双杀的基本形势，就可以防止被双杀，同时还可以此双杀对手。

二鬼拍门

二鬼拍门杀法指攻击的一方使双兵(卒)侵入对方的九宫后分别锁住两条肋道，然后再配合其他子力搏士而获胜的杀法，也称二鬼把门。因兵(卒)有小鬼之称，故而得名。三兵胜士象全最后就是用二鬼拍门的杀法取胜的。这个杀法用的较少。

送佛归殿

送佛归殿杀法是指兵(卒)借助其他子力的力量步步将军，把对方的将(帅)遏回原位而取胜的杀法。有的棋书称此杀法为“三进兵”，但远没有“送佛归殿”这——名称形象。

三子归边

集中三个不同子力于对方侧翼。联合作战而将对方杀死，称为三于归边杀法。三子以车、马、炮三子归边比较常见，威力也最大。

马后炮

马后炮杀法指攻击的一方先用马控制住将(帅)的活动范围，再以马为炮架，用炮杀死对方。这种杀法在象棋实战中是最为常用的一种杀法。

双马饮泉

双马饮泉杀法是指用一马控制将门，另一马卧槽，然后双马互借威力，盘旋攻击而获胜的方法，也是双马胜士象的最基本方法。

挂角马

挂角马指攻击一方借助车、炮、将(帅)等子力牵制对方中士的活动，然后用马在士角位置将军，使对方将(帅)不安于位，然后运用其他子力把对方将死。

双车错杀

双车错杀的意思就是说，当对弈双方的将帅都暴露在对手面前的时候，我们可以利用车分占两线前后照将的办法，造成“双车错”的杀势。

卧槽马杀

所谓的“卧槽马杀”，就是将棋盘上的马跳到对方棋局下的下二路横线，在三、七路的竖线交叉的那个点上，将军，这时如有车、炮或其它棋子配合，可成卧槽马杀势。

挂角马杀

在下象棋的过程中，利用炮或者车或者帅镇中的力量，用它们来牵制对方棋局中的中士的活动，削弱其防御作用，然后用马到对方士角挂角将军，把对方将死的杀法，称挂角马杀。

八角马杀

马与对方的将、帅成田字对角的位置，把对方将帅困住，这样的马叫“八角马”。这时如有车、兵或其他棋子从纵向或横向照将，可成杀势。

先学残局

残局是决定胜负的最后阶段，学会残局就会懂得哪种局势可以取胜，怎样胜法。哪种局势可以成和，怎样和法。就不致于在可胜的局势下，错过取胜的机会，而遇到自己处于劣势时，运用技巧，创造条件达到求和目的。残局棋子较少，可动的棋子选择性不大，有时要动的棋子甚至带有强迫性。对初学者来说，就更容易集中精力去思考。初学者下棋一般没有什么计划，更谈不上战略战术，只是走到哪里算哪里，到了残局阶段，意味着一盘棋马上就要结束了。这个阶段决定一盘棋的胜负，往往都有一定的基本杀法。这对于初学者来说比较容易掌握。

学习基本杀法

最基本的杀法只有大概20多种。比如马后炮、双车错、钓鱼马、大刀剜心等。这是为了告诉你走到什么样就能杀死对方。学好了基本杀法，运用熟练，对残局和中局都很有帮助。

学习残局基本结论

学习的时候一定要明白哪些残局的结果是什么。哪些残局是必胜的，哪些残局是必和的，哪些一般是必胜，但有巧和的，哪些一般是和棋，但有巧胜手段的。除了知道这些结论还要知道怎么走，才能取胜，或者和棋。

学会运子

这个主要针对的是中残局过渡阶段。比如拿到一个残局，知道如何把自己没有过河的兵，通过子力的配合运过河。充分深入的了解马炮怎样配合，大子和兵卒怎样配合。这一点学好了，你就成为高手了。你会感悟到士象的防守有哪些弱点，怎样防守最强硬，怎样针对对方的问题进行攻击。当然，这需要很长的路，下好多年棋，经常总结才能有进步。研究棋谱的话，最好在有一定基础之后再看。一些江湖残局适合玩乐，真的学习的话还要进行归类总结，这样才能进步更快。

布局常识

布局三原则

1、有利于进攻

2、有利于防守

3、有利于大子出动

在布局阶段，行棋走子只要符合布局三原则中的一条，即为可行之着，如能符合两条或三条，则可称上佳之手了。但行棋如违背三原则，就是坏棋，应给予摒弃。

布局三禁忌

车迟开

在象棋的子力中，车的威力最大，有“一车士子寒”之说，作为主力军，应该尽早开出投入战斗。如果迟迟不动，则对局势不利。

马躁进

马虽八面威风，但也有致命弱点，在布局阶段，由于子力较多，马的行进道路多有堵塞之虞。如果不能与其它棋子配合，而贸然冲入敌阵“孤马出群”，则易为对方所算。

炮轻发

炮具备远程战斗力，如果在布局阶段贪小利而轻易发出，则减弱控制效果，貌进实退，反不及遥控威慑效率高。

步数的计算

在布局阶段，如果己方走动步数较多的棋子与对方走动步数较少的棋子兑换掉，则会在步数上有所亏欠，对以后的棋局发展有不利的影响，因此要加以避免。

中局战略

抽吃战术

抽吃：走动一子后一面照将一面要捉吃对方棋子。对方为了应将，不得不放弃被抽的棋子，蒙受子力损失，这种战术手段叫抽吃。

顿挫战术

走子过程中不急于把子力直接运到目的地，而是先运到另外一个位置，待对方某子因此而被迫走到一个不利地位以后，再将其运至目的地的手段，称之为顿挫战术。

拦截战术

拦截指在进攻时以袭击的手段，扰乱对方防卫；或在防守时，以运子等于段，切断对方子力联系的战术称为拦截战术。

牵制战术

通过用自己的子力来限制对方某些子力的活动自由以达到得子、扩先等一定作战目的的手段，称之为牵制战术。

闪击战术

所谓闪击就是，处在前方的棋子突然闪开而露出后方棋子，后方棋子得以攻击对手。

串打战术

串打是谋子战术中常用的一种方法。它是用车、炮两种直线活动的射程较长的子力，牵制对方两到三个子，再调动其他子发动谋子攻击，对方往往很难避免失子。

捉双战术

捉双是象棋中残局里较为常见的谋子手段，它包括一子同时攻击对方两子，两子分捉对方两子等形式。由于它的战术目的非常明显，等对方发现被捉双，要想不失子已经晚矣。

运子取势战术

一方运用各种子力夺取主动而占得先手或优势，进而为谋子或制胜创造条件。在中局基本战术中称为“运子取势”。

兑子抢先战术

“兑子抢先”，一般指通过相等子力的交换来实现先后手的转换和形势优劣的转化等，通常包括交换谋子、兑子捉双、交换赚象、一车搏双(马炮或双马或双炮)等手段。

先弃后取战术

在对局中有计划地舍弃一子后，通过战术手段，或夺回一子、或取得攻势，以得到补偿，称为“先弃后取”，是中局阶段基本战术之一。

弃子攻杀战术

弃子攻杀，是在“宁失一子、不失一先”的战略思想指导下以子力换取先手攻势的一种战术。

规则战术

在实战中有意识地走成循环着法以得到于己有利的裁决手段，称之为规则战术。

残局战略

就全局而论，布局属于战略性的，残局属于战术性的。与中局不同的是，进入残局很难速战速胜，所以必须有个总的方针指导战术。

优则图胜、劣则谋和

“优则图胜，劣则谋和”，在以全部子力投入规模较大，变化较多，斗争较激烈的中局中，遂然作出这样的决定是缺乏结束战斗的现实意义的。到中残交界由之而进入残局的阶段，子力既较少，例胜例和的定式又将依次出现，战斗的性质已临近结束阶段，“优则图胜，劣则谋和”的战略决定，不但成为可能的，而且成为迫切需要的了。所以方针上决定了“优则图胜”，需要攻不忘守，戒骄戒躁，稳步巩固优势；决定了“劣则谋和”，又应不屈不怯，奋力争取上游。

均势不败，创造战机。

战略方针是依据实际形势而决定的。事实上优势可能变为劣势，那就要从图胜转为谋和；劣势可能变为优势，那就要从谋和转为图胜；均势可能失掉平衡，那又要转到“优则图胜，劣则谋和”的方针上来。总之，形势变，方针也要变，这叫做战略转换（临局去执行“优则图胜”的方针时，往往形势已走向不利了，仍然要坚持既定的方针，知进而不知退，以致遭到反击，胜负易位的情况是不少见的）。正因为形势有随时转变的可能，特别在双士（仕）、象（相）残缺，将(帅）位置不很正常，兵（卒）肩负了影响战斗的巨大任务，成为互相纠缠的局面之下，歧路较多，操算不易，一着或失，面目全非。均势中创造战机，切记要立足于不败之地，因势利用、谨慎从事。这是在掌握战略上必须有的警觉和修养。

好的对战心态

保持必胜气势

天下没有一定赢的棋，只有一定能赢的气魄和心态！为了胜利，就要下出必胜的气势，视野要开阔，计划要周密，行棋要果断，不要一味地惦记着眼前的得失，要机动、灵活、变通。

修身养性，切忌浮躁

有的棋手实战时一盘棋下得顺风顺水，便觉得局面都已占优，这时便愉快地哼着小曲、左顾右盼，在你注意力不集中的情况下，不是失去取胜良机就是出现昏招，形势顿时翻盘。接下来绝大多数棋手会立即要求再来一盘以求“报仇”，但是接下来的对局心态已失去了平常心，于是连下连败以致一败涂地。

具备谋略心机

谋略是为创造有利条件而实行的全盘性行动的计划和策略，也就是创造致胜条件。这需要长期的对弈、总结、打谱的积累。

1、真正的进攻就要有收获，就要使局面朝着有利于自己的方向发展，这叫做攻有所获。

2、单纯的防守不好，具有反击的防守才真正具有威力，这叫做守中有攻。

3、勇敢的人不惧怕任何对手，敢于搏杀，这叫做勇者无畏。

4、在面对可能出现两种有利局面的时候，选择最大程度有利于自己取得胜利的局面。在面对可能出现两种不利局面的时候，选择最小程度不利于自己的局面。特别注意局部服从全局的道理，这叫做利害选择。

5、寻找出进攻的机会和线路，熟练地运用各种技战术，使局面朝理想方向发展，这叫做捕捉战机。

6、中局作战过程中，要时常对当前局面有清醒地认识，该攻则攻，当守则守，进攻的线路，防守的要点，都在审局度势的范围之中。

7、多算胜，少算不胜。

8、善弈者攻心为上，攻城为下，心战为上，兵战为下。

9、以正合，以奇胜。

10、棋虽小道，棋品最尊。

11、棋品如人品，人品有高低之分，棋品有深浅之说。

12、胜固可喜，败亦欣然。不怕输棋，就怕不敢下，不怕被打倒，就怕起不来。

用心专注

失去注意力，这不是一个战术或者战略错误，而是一个致命的错误。保持专注考验的是棋手的身体与心理两个方面的能力。专业棋手与初学者之间的差别在于，一般经验丰富的专业棋手在整场比赛中都可以保持专注，并且在必要时，他可以计算所有变化并选择正确的着法。而初学者则往往会失去注意力并且往往会犯错误。要解决这个问题，下棋时候慢一些，多下长时间的对局以训练保持注意力。

时刻关注自己将帅的安全！

初学者总是喜欢疯狂地攻击，经常忘记了自己将帅的安全，从而结局总是悲伤的。请记住，在开始任何攻击之前，你必须首先确保将帅的安全。请记住，对手的每一步都可能隐藏着威胁。要积极计算与思考，积极探究双方可能的计划。

不为外界干扰所动

象棋是个技艺的游戏，但是心理影响在对弈时起着非常重要的作用。现在比赛里对手为了给对手施加心理压力，手段方法数不胜数。

避免受影响的方法是：

1、专注于棋盘，而不是对手本人。

2、总是按对手要走出最好的招法来想棋。

3、如果对手有任何影响你的行为，要冷静思考应对。

入门必备书籍

1、《象棋入门》，金盾出版社。推荐指数：强烈推荐。

2、《自出洞来无敌手》，推荐指数：强烈推荐。

3、《象棋指归》，贾题韬著。高屋建瓴，文字优美。

4、《橘中秘》《梅花谱》提高残局最佳棋书。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"象棋是中国传统棋类益智游戏，有着悠久的历史。象棋属于二人对抗性游戏的一种，不仅用具简单，趣味性强，而且还能锻炼人的记忆，培养全局意识以及正确的竞争观念，所以学习下象棋是一个非常不错的选择，那么如何学下象棋呢？","id":""}],"text":"","id":"doxcnAw6GyQSUkiUK2fQGyCLfHb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"认识象棋","id":""}],"text":"","id":"doxcnMMm8QqUqwMYSCIK2wCNBQb"},{"type":"paragraph","children":[{"type":"text","text":"学下象棋，第一步肯定是要了解象棋的组成和规则，这是学下象棋的基础。","id":""}],"text":"","id":"doxcnUI08WC0IkQ02kh6byCzAxR"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"象棋组成","id":""}],"text":"","id":"doxcnug2COggQAmQIENoXhOKJUg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"棋盘","id":""}],"text":"","id":"doxcnCKIkG26EsUeuuAuC2N86bh"},{"type":"paragraph","children":[{"type":"text","text":"象棋棋盘横线纵线形成9*10=90个交点，这90个交点为可落子处。","id":""}],"text":"","id":"doxcnsuWIQeUEEQK2mkkZrzGnfd"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"棋盘","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4dfd861f74be47478c2aa05b139fffbd","width":706},"text":"","id":"doxcnAiqG6oIei6yQOCm7VsJiYc"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcngiUwIKcUGqEIEVqqZwogff"},{"type":"paragraph","children":[{"type":"text","text":"一盘未开局的棋如下图所示","id":""}],"text":"","id":"doxcnScaIUYwc2WeQQzgmG0DqEf"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"棋盘","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e388de8af0a34e26a7fa287bee0a68e4","width":830},"text":"","id":"doxcn6QCKOuWaCEk8IxTRxrIGDe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"棋子","id":""}],"text":"","id":"doxcnusqUmkyGQQOWWCgMINma1f"},{"type":"paragraph","children":[{"type":"text","text":"帅（将）：帅（将）是棋中的首脑，是双方竭力争夺的目标。它只能在九宫之内活动，可上可下，可左可右，每次走动只能按竖线或横线走动一格。帅与将不能在同一直线上直接对面，否则走方判负。","id":""}],"text":"","id":"doxcnEG0sGOi2M2sSvFaeUJf0Bk"},{"type":"paragraph","children":[{"type":"text","text":"仕（士）：仕（士）是将（帅）的贴身保镖，它也只能在九宫内走动。它的行棋路径只有九宫内的四条斜线。","id":""}],"text":"","id":"doxcnq86smoeqUqieIzKojBTZxd"},{"type":"paragraph","children":[{"type":"text","text":"相（象）：相（象）的主要作用是防守，保护自己的帅（将）。它的走法是每次循对角线走两格，俗称“象飞田”。相（象）的活动范围限于河界以内的本方阵地，不能过河，且如果它走的田字中央有一个棋子，就不能走，俗称“塞象眼”。","id":""}],"text":"","id":"doxcnWMI80Uw64kkMaUlEDQeXuh"},{"type":"paragraph","children":[{"type":"text","text":"车：车在象棋中威力最大，无论横线、竖线均可行走，只要无子阻拦，步数不受限制。因此，一车可以控制十七个点，故有“一车十子寒”之称。","id":""}],"text":"","id":"doxcnQYACCwsiKegk9Wc0lI7YeR"},{"type":"paragraph","children":[{"type":"text","text":"炮：炮在不吃子的时候，移动与车完全相同。当吃子时，己方和对方的棋子中间必须间隔1个棋子（无论对方或己方棋子），炮是象棋中唯一可以越子的棋种。","id":""}],"text":"","id":"doxcnMoqS2yo8YEUyYR7T5v6eGh"},{"type":"paragraph","children":[{"type":"text","text":"马：马走动的方法是一直一斜，即先横着或直着走一格，然后再斜着走一个对角线，俗称“马走日”。马一次可走的选择点可以达到四周的八个点，故有“八面威风”之说。如果在要去的方向有别的棋子挡住，马就无法走过去，俗称“蹩马腿”。","id":""}],"text":"","id":"doxcnYAmIy2S0koOKwBAvtCZpOh"},{"type":"paragraph","children":[{"type":"text","text":"兵（卒）：兵（卒）在未过河前，只能向前一步步走，过河以后，除不能后退外，允许左右移动，但也只能一次一步，即使这样，兵（卒）的威力也大大增强，故有“过河的卒子顶半个车”之说。","id":""}],"text":"","id":"doxcn6qMCGY4ewYYg4sw1YW6Gvc"},{"type":"image","attrs":{"height":450,"note":[{"type":"text","text":"棋子","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4cd2917422344c2999808581b5a837d7","width":650},"text":"","id":"doxcnSIEa0Cy6aAwYk5A1AmYZGc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"象棋术语","id":""}],"text":"","id":"doxcniiyyoO6mMoAIaH3fw5646E"},{"type":"paragraph","children":[{"type":"text","text":"1、九宫：俩斜线连同周边方格组成的区域。","id":""}],"text":"","id":"doxcnmSQwe4keYgIiSWn17SSUbf"},{"type":"paragraph","children":[{"type":"text","text":"2、将军：一方子力去杀对方将或帅，迫使对方应着。","id":""}],"text":"","id":"doxcnUMygICSK2ukISqtVFphBrf"},{"type":"paragraph","children":[{"type":"text","text":"3、当头炮：即将任意一炮平至中路，威胁对方九宫。这是一种常见的布局着法。由于将、帅行动限在“九宫”以内，所以当头炮的控制威力很强，也叫中路炮。","id":""}],"text":"","id":"doxcn0iiUKs8ysUsOSM3nyChVcc"},{"type":"paragraph","children":[{"type":"text","text":"4、屏风马：两马分立于九宫的两侧，形如“屏风”以拱卫京师。","id":""}],"text":"","id":"doxcnuu8oQASyqmasaNCD1TsoYt"},{"type":"paragraph","children":[{"type":"text","text":"5、单边马：一马守中卒而另一马跳边，有左、右单边马布局的差别。","id":""}],"text":"","id":"doxcnIUS6giCqmWMwW4cHRkNdQg"},{"type":"paragraph","children":[{"type":"text","text":"6、双边马：俩马一个跳九路，一个跳一路。","id":""}],"text":"","id":"doxcnWEEoqwS4sg2suKZbUGTHgg"},{"type":"paragraph","children":[{"type":"text","text":"7、士角炮：平炮到九宫上俩点任意一点。","id":""}],"text":"","id":"doxcneQA6a6OCCgK8fLzqyhZNH9"},{"type":"paragraph","children":[{"type":"text","text":"8、仙人指路：先行一方起着挺象肩兵（左右皆可），试探对方的应着，就像“投石问路”一样。","id":""}],"text":"","id":"doxcn0E8oUSuyIc62m0b6cWIGpd"},{"type":"image","attrs":{"height":300,"note":[{"type":"text","text":"象棋术语","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/74ade0935ed44c4b90b32bdc89a1e480","width":452},"text":"","id":"doxcn02s2G2K4Um6qKw88KeHPnf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"象棋规则","id":""}],"text":"","id":"doxcn0oIuQygAuCMGuOR4CjXTb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“沉底月”、“海底炮”，是车、炮胜单车的杀法。","id":""}],"text":"","id":"doxcniIMa4Mu0CMUKGhSouCa2kb"},{"type":"paragraph","children":[{"type":"text","text":"在车、炮胜单车的残局中，车炮一方通常要占据中路，再用炮借车力在将(帅)底下将对方守护在肋线的车赶走，而后退车用对面笑杀法做成杀势。","id":""}],"text":"","id":"doxcncMKWOeoEM4GisXkW72eEye"},{"type":"image","attrs":{"height":414,"note":[{"type":"text","text":"海底捞月","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c27433b275bb4bb3a14216b99ec66d16","width":377},"text":"","id":"doxcn4woacqEgC6Ii4HgGnNe3Kh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"夹车炮","id":""}],"text":"","id":"doxcnwOuEyAAwO6KykJT3F3AX0c"},{"type":"paragraph","children":[{"type":"text","text":"双炮和车集中于一侧，用车和双炮交替将军，其形式与双车挫杀法相类似。这种杀法比较容易理解，关键是有的时候车炮不","id":""},{"type":"text","text":"在—","id":""},{"type":"text","text":"侧也可以通过运子构成杀势。","id":""}],"text":"","id":"doxcnSCcm8E6QWkQQQrGujOcr0c"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"夹车炮","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f3f39193831d4674b8fa7db4db9754fa","width":875},"text":"","id":"doxcn8IIgmoGuc6g0wZD18LcLPb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"大胆穿心","id":""}],"text":"","id":"doxcn4uKSCcC2seKSisLa4naWae"},{"type":"paragraph","children":[{"type":"text","text":"又称大刀剜心，就是车在其他子力的配合(主要是炮对对方象士的牵制)下强行杀对方中士，逼对方用底士去吃车，从而闪露出底线的空当再用其他子作杀。若其不用底士吃车而是拐将，则同样可将死。","id":""}],"text":"","id":"doxcn4cGYmCi6iwgmYJxthFNMTg"},{"type":"image","attrs":{"height":570,"note":[{"type":"text","text":"大胆穿心","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/fd9ffcf555fe4eeca708f3816b049dc8","width":518},"text":"","id":"doxcnYgys0CUWWYCoUXvtephYdd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"铁门闩","id":""}],"text":"","id":"doxcnEuAScmKSiicOC80OyNF0Cc"},{"type":"paragraph","children":[{"type":"text","text":"利用中炮的威力控制中路，再用车封住将门后用其他子配合底线强行将杀。如果对方有一车守底线，攻击方有两只重叠的车再加上将(帅)之力，也可破敌，称为“露将三把手”或“连将三出车”。有时候也用兵来代替车控制将门。","id":""}],"text":"","id":"doxcnYmySQaSUcGIUc7Xp2Mhapd"},{"type":"image","attrs":{"height":711,"note":[{"type":"text","text":"铁门闩","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/72ea52a0ae244572941b03e2cb9990bb","width":640},"text":"","id":"doxcnOOCG0weEeGiY6HKoIqPZ4e"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"千里照面","id":""}],"text":"","id":"doxcnmOKYQmauCeIkOaIhRgdT4d"},{"type":"paragraph","children":[{"type":"text","text":"利用中炮和双车的威力，在有底士的一侧要杀，再弃车杀底士然后车正面照将成杀。这种杀法要注意的是对方中路是士象可用此杀法，但是如果中路是士和炮就不能采用，因为黑方可献中炮解杀。","id":""}],"text":"","id":"doxcnKOOqcKaGAiaGaqAxYxPcMe"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"千里照面","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/597bc561860449099e68ce796e3b4322","width":779},"text":"","id":"doxcnKmkgqMMwuqs6YtpFR40MWf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"双车肋士","id":""}],"text":"","id":"doxcnMS6ueiOO2wWCIZTWCt1Yoc"},{"type":"paragraph","children":[{"type":"text","text":"一方以双车侵入对方九宫两肋后，弃车强行构成杀局，在实战对局中较","id":""},{"type":"text","text":"为常见","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"doxcnwqGeeQgOU48W4u85gUVP4K"},{"type":"image","attrs":{"height":706,"note":[{"type":"text","text":"双车肋士","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a6aa7137c9834fbfaedf6bb629cf683c","width":640},"text":"","id":"doxcnm0w60428uSoKqYDok0a09f"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"炮辗丹砂","id":""}],"text":"","id":"doxcnisyewWSIEOSgmOfky9S6Pe"},{"type":"paragraph","children":[{"type":"text","text":"以车炮侵入对方底线，借助车的力量辗转扫荡对方的士象或其他子力，从而将死对方，这种杀法称为炮辗丹砂杀法，俗称“打剥皮”。","id":""}],"text":"","id":"doxcnaIK2ea62WQCWUzDFWbwUXd"},{"type":"image","attrs":{"height":540,"note":[{"type":"text","text":"炮辗丹砂","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/144da202e6f248e586bd809ddbd34ac3","width":500},"text":"","id":"doxcn6M2qEYc0QSOc9ezDp8jBwA"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"闷杀","id":""}],"text":"","id":"doxcnsW0ycsyEiSMIecgh9Wc7zb"},{"type":"paragraph","children":[{"type":"text","text":"一方通过将、要杀或弃子等攻击手段造成对方子力自堵将(帅)活动空间而一举将死对方的杀法。利用对方双士不适当的联结，自阻将(帅)的活动范围，用一炮将对方将(帅)杀死在原位，习惯称为“闷宫”。闷宫可以看作是闷杀的一种特殊形式。","id":""}],"text":"","id":"doxcn0QyIOea68Ew8cbgrxp2aMh"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"闷杀","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/7d4fc483a3fa465f9073cbb4647a1ca9","width":884},"text":"","id":"doxcnoWusyuKSEQ4C2ZkDywXg9d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"重炮","id":""}],"text":"","id":"doxcnKaUUmoIs0CiW6FtwAbftzb"},{"type":"paragraph","children":[{"type":"text","text":"重炮杀法指—方将双炮重叠于一条线上，一炮充当炮架，另一炮将军，或前炮将军后炮控制，将对方杀死。俗语说：重炮无垫子，就是指这种杀法所具有的威力。","id":""}],"text":"","id":"doxcnOOYskaAyIgK8OCArlTeIlg"},{"type":"paragraph","children":[{"type":"text","text":"前面所讲的夹车炮杀法，双炮在一条线上也是一种重炮杀法。两者的区别就在于夹车炮杀法是以车和双炮交替将军而把对方杀死，而重炮杀法是把对方将 (帅)固定于一条直线上用双炮将死。","id":""}],"text":"","id":"doxcn6MuI2YkCS4I060AghdRLjb"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"重炮","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8922c79abf634f8db9e00b640eba34b4","width":936},"text":"","id":"doxcnm0qyQWAy2wOoovfabNQfqc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"天地炮","id":""}],"text":"","id":"doxcn2sYWcY2UYwEkijSa8AN9Zc"},{"type":"paragraph","children":[{"type":"text","text":"天地炮杀法指攻击的一方一炮镇在中路，一炮沉在底线，使对方的防守力量都被牵制住，然后用其他子力配合而将对方将死的杀法。这种攻杀方法以车配合双炮攻击最为常见，也是威力最大的杀法之一，包括车到底线、出将再车杀中士这两种杀法。","id":""}],"text":"","id":"doxcnoq6QoAyM6CKY82ooIIH0zc"},{"type":"image","attrs":{"height":847,"note":[{"type":"text","text":"天地炮","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c80e5c00bc4e413cb4314fdb0f808a3f","width":828},"text":"","id":"doxcnOYseWsegiwc2C4msLFFm0b"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"双将","id":""}],"text":"","id":"doxcn6swgCeo2myUW8rpPJzqIuh"},{"type":"paragraph","children":[{"type":"text","text":"双将指攻击的一方把自己的几个子组合起来，同时从两个方向照将，从而杀死对方。这种杀法是象棋杀法中比较凶悍的一种，初学者由于对一些杀法或者各子的攻杀能力还理解得不够深刻，经常一时不防被杀。如果掌握了一些双杀的基本形势，就可以防止被双杀，同时还可以此双杀对手。","id":""}],"text":"","id":"doxcnO22SoqI26Iw0UT6ch80wSb"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"双将","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6b170c9dd4644e54a4519a0196ce38db","width":878},"text":"","id":"doxcnyaK4Gm2i6Gye8PdFUDqC5d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"二鬼拍门","id":""}],"text":"","id":"doxcnEEE2mG6keKecrot8gcykKG"},{"type":"paragraph","children":[{"type":"text","text":"二鬼拍门杀法指攻击的一方使双兵(卒)侵入对方的九宫后分别锁住两条肋道，然后再配合其他子力搏士而获胜的杀法，也称二鬼把门。因兵(卒)有小鬼之称，故而得名。三兵胜士象全最后就是用二鬼拍门的杀法取胜的。这个杀法用的较少。","id":""}],"text":"","id":"doxcnOKcu88csW0GO6sG9CHOaLf"},{"type":"image","attrs":{"height":698,"note":[{"type":"text","text":"二鬼拍门","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cde02373da874ced82ea506c84b60ce2","width":640},"text":"","id":"doxcnK6QIw2CqYC864pBZocwYuE"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"送佛归殿","id":""}],"text":"","id":"doxcnmgSAWuiem4KeQzqJcaT7Td"},{"type":"paragraph","children":[{"type":"text","text":"送佛归殿杀法是指兵(卒)借助其他子力的力量步步将军，把对方的将(帅)遏回原位而取胜的杀法。有的棋书称此杀法为“三进兵”，但远没有“送佛归殿”这——名称形象。","id":""}],"text":"","id":"doxcnui40M2ikmW04QRT7tuUQ3c"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"送佛归殿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/eb9adccc087c475b8a8152d304f7a981","width":939},"text":"","id":"doxcn42YYmA6iuu202DLnX39D9c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"三子归边","id":""}],"text":"","id":"doxcnUQmyWUQKa06KFsWpByIFDO"},{"type":"paragraph","children":[{"type":"text","text":"集中三个不同子力于对方侧翼。联合作战而将对方杀死，称为三于归边杀法。三子以车、马、炮三子归边比较常见，威力也最大。","id":""}],"text":"","id":"doxcn40kq064UMQUuMjRVquPmme"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"三子归边","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3beccf4ae23c4ba196c1ab89ec976127","width":876},"text":"","id":"doxcn4MUuGo4C6CQMIh0ud2LNub"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"马后炮","id":""}],"text":"","id":"doxcnuUIeaummuuEEQvI9zEBhcg"},{"type":"paragraph","children":[{"type":"text","text":"马后炮杀法指攻击的一方先用马控制住将(帅)的活动范围，再以马为炮架，用炮杀死对方。这种杀法在象棋实战中是最为常用的一种杀法。","id":""}],"text":"","id":"doxcnK6Q8Yua6ieKGwd2b3WTh5k"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"马后炮","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c8afdf8e77af4eee9c4a2497c217e447","width":885},"text":"","id":"doxcnW8AGCEwSycaE4CsPbno0RD"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"双马饮泉","id":""}],"text":"","id":"doxcnwcc2KiUuGeiwugqvl5xs9f"},{"type":"paragraph","children":[{"type":"text","text":"双马饮泉杀法是指用一马控制将门，另一马卧槽，然后双马互借威力，盘旋攻击而获胜的方法，也是双马胜士象的最基本方法。","id":""}],"text":"","id":"doxcnYoYC2OWA2UMY8QWU6hNqac"},{"type":"image","attrs":{"height":576,"note":[{"type":"text","text":"双马饮泉","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6a08f84a098647fbb33655037a36c818","width":517},"text":"","id":"doxcnawMAkQeQmuUw89plSEFelf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"挂角马","id":""}],"text":"","id":"doxcnCUwUGwwO4wKKQLKQpiEbme"},{"type":"paragraph","children":[{"type":"text","text":"挂角马指攻击一方借助车、炮、将(帅)等子力牵制对方中士的活动，然后用马在士角位置将军，使对方将(帅)不安于位，然后运用其他子力把对方将死。","id":""}],"text":"","id":"doxcnESmec4uGoag8KSdVEhK9Db"},{"type":"image","attrs":{"height":1024,"note":[{"type":"text","text":"挂角马","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9d86168c7ceb42ecbfac734267fc0de7","width":877},"text":"","id":"doxcncQ6mkYGEiwQYgkUwGmcztb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"双车错杀","id":""}],"text":"","id":"doxcnquo4suw2uCIyGiNuwz12vb"},{"type":"paragraph","children":[{"type":"text","text":"双车错杀的意思就是说，当对弈双方的将帅都暴露在对手面前的时候，我们可以利用车分占两线前后照将的办法，造成“双车错”的杀势。","id":""}],"text":"","id":"doxcnEgQws2GSi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type":"paragraph","children":[{"type":"text","text":"在象棋的子力中，车的威力最大，有“一车士子寒”之说，作为主力军，应该尽早开出投入战斗。如果迟迟不动，则对局势不利。","id":""}],"text":"","id":"doxcnsyeII68quMmMmQ2c7EuvNf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"马躁进","id":""}],"text":"","id":"doxcnOIkyimuUwyuU4ENc5R7Qbf"},{"type":"paragraph","children":[{"type":"text","text":"马虽八面威风，但也有致命弱点，在布局阶段，由于子力较多，马的行进道路多有堵塞之虞。如果不能与其它棋子配合，而贸然冲入敌阵“孤马出群”，则易为对方所算。","id":""}],"text":"","id":"doxcnW6I2uwcmos2e8jllSOajLd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"炮轻发","id":""}],"text":"","id":"doxcnCccK806akMoQuG57tfzkQh"},{"type":"paragraph","children":[{"type":"text","text":"炮具备远程战斗力，如果在布局阶段贪小利而轻易发出，则减弱控制效果，貌进实退，反不及遥控威慑效率高。","id":""}],"text":"","id":"doxcnqWMAaE6Q2gGqQHEYE5RnNf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"步数的计算","id":""}],"text":"","id":"doxcncw4SUMkokumIa8eT4UH0eh"},{"type":"paragraph","children":[{"type":"text","text":"在布局阶段，如果己方走动步数较多的棋子与对方走动步数较少的棋子兑换掉，则会在步数上有所亏欠，对以后的棋局发展有不利的影响，因此要加以避免。","id":""}],"text":"","id":"doxcn4gGs0OWoUWQoUdUP9OdpMb"},{"type":"image","attrs":{"height":684,"note":[{"type":"text","text":"步数的计算","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9a8e33a067244d4cae7cad7befdef70e","width":1024},"text":"","id":"doxcn0sKmKSsAiy0mQxny9ksbOg"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"中局战略","id":""}],"text":"","id":"doxcnMSuGCekE2WSaSssy9ZKQ7u"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"抽吃战术","id":""}],"text":"","id":"doxcnqCcoQImEuOEwgX2KDQFxob"},{"type":"paragraph","children":[{"type":"text","text":"抽吃：走动一子后一面照将一面要捉吃对方棋子。对方为了应将，不得不放弃被抽的棋子，蒙受子力损失，这种战术手段叫抽吃。","id":""}],"text":"","id":"doxcnkUQsuuKIsimU4kRvtzx4Qb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"顿挫战术","id":""}],"text":"","id":"doxcnAusKsAyIEMuiK4jHRkDGwf"},{"type":"paragraph","children":[{"type":"text","text":"走子过程中不急于把子力直接运到目的地，而是先运到另外一个位置，待对方某子因此而被迫走到一个不利地位以后，再将其运至目的地的手段，称之为顿挫战术。","id":""}],"text":"","id":"doxcnWUww606A02ks0s89FnbX6b"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"拦截战术","id":""}],"text":"","id":"doxcny6yuw6Ws6QQ6QtnbB53L5f"},{"type":"paragraph","children":[{"type":"text","text":"拦截指在进攻时以袭击的手段，扰乱对方防卫；或在防守时，以运子等于段，切断对方子力联系的战术称为拦截战术。","id":""}],"text":"","id":"doxcn4mWSMQEuUWeIYZJfYT3Wke"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"牵制战术","id":""}],"text":"","id":"doxcnY6owyWiMCmawwtGYtVexTh"},{"type":"paragraph","children":[{"type":"text","text":"通过用自己的子力来限制对方某些子力的活动自由以达到得子、扩先等一定作战目的的手段，称之为牵制战术。","id":""}],"text":"","id":"doxcnImYCsWUa6gmUmelYFlXRRh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"闪击战术","id":""}],"text":"","id":"doxcnYieoQsc4WCUwqqwdGkmtag"},{"type":"paragraph","children":[{"type":"text","text":"所谓闪击就是，处在前方的棋子突然闪开而露出后方棋子，后方棋子得以攻击对手。","id":""}],"text":"","id":"doxcn8oIImy0MWOIcGKm9I1GVjf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"串打战术","id":""}],"text":"","id":"doxcn820q6uGemSWuw3N9ZekFsc"},{"type":"paragraph","children":[{"type":"text","text":"串打是谋子战术中常用的一种方法。它是用车、炮两种直线活动的射程较长的子力，牵制对方两到三个子，再调动其他子发动谋子攻击，对方往往很难避免失子。","id":""}],"text":"","id":"doxcnE42omwqou4GG2Vku3292Wh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"捉双战术","id":""}],"text":"","id":"doxcnaGG4GuWWGkkweW9Wfwb5Qd"},{"type":"paragraph","children":[{"type":"text","text":"捉双是象棋中残局里较为常见的谋子手段，它包括一子同时攻击对方两子，两子分捉对方两子等形式。由于它的战术目的非常明显，等对方发现被捉双，要想不失子已经晚矣。","id":""}],"text":"","id":"doxcn8i0Sm4WugCk2sZuGY7wCWb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"运子取势战术","id":""}],"text":"","id":"doxcnqkmQSeye0UgA6NdL0fGROd"},{"type":"paragraph","children":[{"type":"text","text":"一方运用各种子力夺取主动而占得先手或优势，进而为谋子或制胜创造条件。在中局基本战术中称为“运子取势”。","id":""}],"text":"","id":"doxcnOQcEWsocgI2GwvvY2KezQR"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"兑子抢先战术","id":""}],"text":"","id":"doxcna2yYEaeskOsU6ut0xWQxSh"},{"type":"paragraph","children":[{"type":"text","text":"“兑子抢先”，一般指通过相等子力的交换来实现先后手的转换和形势优劣的转化等，通常包括交换谋子、兑子捉双、交换赚象、一车搏双(马炮或双马或双炮)等手段。","id":""}],"text":"","id":"doxcn0soiM4sq04sau2AyJJx8HD"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"先弃后取战术","id":""}],"text":"","id":"doxcniO0semYiumuqy2vf1Tcs2b"},{"type":"paragraph","children":[{"type":"text","text":"在对局中有计划地舍弃一子后，通过战术手段，或夺回一子、或取得攻势，以得到补偿，称为“先弃后取”，是中局阶段基本战术之一","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"doxcnWKyMkgEWsQ00YhhWoELXWf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"弃子攻杀战术","id":""}],"text":"","id":"doxcnuGGmo2oY4C6SUTF7EedUEd"},{"type":"paragraph","children":[{"type":"text","text":"弃子攻杀，是在“宁失一子、不失一先”的战略思想指导下以子力换取先手攻势的一种战术。","id":""}],"text":"","id":"doxcnymY2yeqwqaoOlnpvvAFBzg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"规则战术","id":""}],"text":"","id":"doxcnIYuWcCgicK68OJXn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","id":""},{"type":"text","text":"具备谋略心机","id":""}],"text":"","id":"doxcnsYoci2yeG66YKyzs1XVBze"},{"type":"paragraph","children":[{"type":"text","text":"谋略是为创造有利条件而实行的全盘性行动的计划和策略，也就是创造致胜条件。这需要长期的对弈、总结、打谱的积累。","id":""}],"text":"","id":"doxcniEwo868QIMKqGKYir9bILh"},{"type":"paragraph","children":[{"type":"text","text":"1、真正的进攻就要有收获，就要使局面朝着有利于自己的方向发展，这叫做攻有所获。","id":""}],"text":"","id":"doxcnC8oYy0KiwoQsKybXkjLAVg"},{"type":"paragraph","children":[{"type":"text","text":"2、单纯的防守不好，具有反击的防守才真正具有威力，这叫做守中有攻。","id":""}],"text":"","id":"doxcn2Swkgo8aMI8iaih5chojgb"},{"type":"paragraph","children":[{"type":"text","text":"3、勇敢的人不惧怕任何对手，敢于搏杀，这叫做勇者无畏。","id":""}],"text":"","id":"doxcnqC4QuaCk4g8MgnR52KuB8c"},{"type":"paragraph","children":[{"type":"text","text":"4、在面对可能出现两种有利局面的时候，选择最大程度有利于自己取得胜利的局面。在面对可能出现两种不利局面的时候，选择最小程度不利于自己的局面。特别注意局部服从全局的道理，这叫做利害选择。","id":""}],"text":"","id":"doxcnguwqwMisqa66CxgvkAcu6B"},{"type":"paragraph","children":[{"type":"text","text":"5、寻找出进攻的机会和线路，熟练地运用各种技战术，使局面朝理想方向发展，这叫做捕捉战机。","id":""}],"text":"","id":"doxcnU6A6i0ggoQ4YmqnXSdxj5c"},{"type":"paragraph","children":[{"type":"text","text":"6、中局作战过程中，要时常对当前局面有清醒地认识，该攻则攻，当守则守，进攻的线路，防守的要点，都在审局度势的范围之中。","id":""}],"text":"","id":"doxcnAiecymq62SecG4YLvGYGQd"},{"type":"paragraph","children":[{"type":"text","text":"7、多算胜，少算不胜。","id":""}],"text":"","id":"doxcnkqk4SCuqkii48TBGzS1eZd"},{"type":"paragraph","children":[{"type":"text","text":"8、善弈者攻心为上，攻城为下，心战为上，兵战为下。","id":""}],"text":"","id":"doxcnK0mWaMI4E8wI22YAFsWdKA"},{"type":"paragraph","children":[{"type":"text","text":"9、以正合，以奇胜。","id":""}],"text":"","id":"doxcnQwSc68EuscKc2f3PuBj0Cc"},{"type":"paragraph","children":[{"type":"text","text":"10、棋虽小道，棋品最尊。","id":""}],"text":"","id":"doxcn8QGSe64AGwq6MbfzdHY5ih"},{"type":"paragraph","children":[{"type":"text","text":"11、棋品如人品，人品有高低之分，棋品有深浅之说。","id":""}],"text":"","id":"doxcnoiMyaAGu8gmMExlZl46x7C"},{"type":"paragraph","children":[{"type":"text","text":"12、胜固可喜，败亦欣然。不怕输棋，就怕不敢下，","id":""},{"type":"text","text":"不怕被打倒，就怕起不来。","id":""}],"text":"","id":"doxcnWqUuI0agCiGYkJV3pEqdTc"},{"type":"image","attrs":{"height":575,"note":[{"type":"text","text":" ","id":""},{"type":"text","text":"具备谋略心机","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cf31d79c29224c96842f2cb736f717ad","width":831},"text":"","id":"doxcnMCQqAi0mWq6eme5pDIxHAd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"用心专注","id":""}],"text":"","id":"doxcnyy6AOcGaQWSeWsJBCGzwye"},{"type":"paragraph","children":[{"type":"text","text":" 失去注意力，这不是一个战术或者战略错误，而是一个致命的错误。保持专注考验的是棋手的身体与心理两个方面的能力。专业棋手与初学者之间的差别在于，一般经验丰富的专业棋手在整场比赛中都可以保持专注，并且在必要时，他可以计算所有变化并选择正确的着法。而初学者则往往会失去注意力并且往往会犯错误。要解决这个问题，下棋时候慢一些，多下长时间的对局以训练保持注意力。","id":""}],"text":"","id":"doxcnu6yE8yKIi2gk4zkY8mzZlg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"时刻关注自己将帅的安全！","id":""}],"text":"","id":"doxcnk0g8kAUCAmsAOaYOOkrJWh"},{"type":"paragraph","children":[{"type":"text","text":"初学者总是喜欢疯狂地攻击，经常忘记了自己将帅的安全，从而结局总是悲伤的。请记住，在开始任何攻击之前，你必须首先确保将帅的安全。请记住，对手的每一步都可能隐藏着威胁。要积极计算与思考，积极探究双方可能的计划。","id":""}],"text":"","id":"doxcnA4aYWyWIQMe2klLd73uXvh"},{"type":"image","attrs":{"height":422,"note":[{"type":"text","text":"时刻关注自己将帅的安全！","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8f7f2965dd6648688124fd7695abd976","width":600},"text":"","id":"doxcnWMkkwYocACu0gx2eLuP4dh"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnEwUQaKg0koGaCGlbCEEhNb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"不为外界干扰所动","id":""}],"text":"","id":"doxcnUOi82oMs8KUQoXz7crDiie"},{"type":"paragraph","children":[{"type":"text","text":"象棋是个技艺的游戏，但是心理影响在对弈时起着非常重要的作用。现在比赛里对手为了给对手施加心理压力，手段方法数不胜数。","id":""}],"text":"","id":"doxcnUOEmIQ6Gw44CYfoIoNpJJd"},{"type":"paragraph","children":[{"type":"text","text":"避免受影响的方法是：","id":""}],"text":"","id":"doxcn8ygWkK0wACQSQtZnt848ld"},{"type":"paragraph","children":[{"type":"text","text":"1、专注于棋盘，而不是对手本人。","id":""}],"text":"","id":"doxcnU02YOwEw48K8lUApsAVgML"},{"type":"paragraph","children":[{"type":"text","text":"2、总是按对手要走出最好的招法来想棋。","id":""}],"text":"","id":"doxcnsWkqeoye8uS2k5ogACsKPf"},{"type":"paragraph","children":[{"type":"text","text":"3、如果对手有任何影响你的行为，要冷静思考应对。","id":""}],"text":"","id":"doxcnyUE2UuuAYQca6xNHs2Pkjc"},{"type":"image","attrs":{"height":642,"note":[{"type":"text","text":"不为外界干扰所动","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/d5d74c7015064a2fbe3614300a13f5f1","width":960},"text":"","id":"doxcnkw6MAOkw2GecqQLIgeEqqf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"入门必备书籍","id":""}],"text":"","id":"doxcnWyUGECsYYImyqId71uxBgd"},{"type":"paragraph","children":[{"type":"text","text":"1、《象棋入门》，金盾出版社。推荐指数：强烈推荐。","id":""}],"text":"","id":"doxcnSi0YIk4I6G28N2XuQlC5m3"},{"type":"image","attrs":{"height":500,"note":[{"type":"text","text":"入门必备书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/15ea266394924f2d82ecc676a9078be1","width":345},"text":"","id":"doxcnyoCSgUy8kwEOCWYGvMca1y"},{"type":"paragraph","children":[{"type":"text","text":"2、《自出洞来无敌手》，推荐指数：强烈推荐。","id":""}],"text":"","id":"doxcnA8YcmoOGOKkIv8xRWoakjS"},{"type":"image","attrs":{"height":1175,"note":[{"type":"text","text":"入门必备书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/68764a292c5d4595961ead4fc7cb56ca","width":792},"text":"","id":"doxcngGug0CqQyuk24QmhydNqfb"},{"type":"paragraph","children":[{"type":"text","text":"3、《象棋指归》，贾题韬著。高屋建瓴，文字优美。","id":""}],"text":"","id":"doxcnWamguIEKgWymCzhqkVW5R2"},{"type":"image","attrs":{"height":426,"note":[{"type":"text","text":"入门必备书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cf6ab896b096454f95735746ee919d77","width":312},"text":"","id":"doxcnCYOSUoEcIyuWyGotQEIPlb"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnAI4gUUWWIQQWItDrNWIPpf"},{"type":"paragraph","children":[{"type":"text","text":"4、《橘中秘》《梅花谱》提高残局最佳棋书。","id":""}],"text":"","id":"doxcnem8KaWuG4um4dlYl8tXDAH"},{"type":"image","attrs":{"height":584,"note":[{"type":"text","text":"入门必备书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/5c6801a0934041ed8d2724951d11c0b1","width":804},"text":"","id":"doxcnKCWmAo4IQkwASKPH7eYVue"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnwsOOQCU86IkOO4ur3ZWibh"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnm2cQgq8uQkQ2QTG8dhypWg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcn2k2QeECwciuuYwH80MOcEE"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcn4OM4woImcIooSIIRDCu1Rc"}]%3C%2Fhowto_content%3E